Tactical Magik
Immortal Ops, Book 5
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Tactical Magik
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Narrated by:
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Topher Samuels
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By:
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Mandy M. Roth
About this listen
Eadan Daly has thrown himself into the role as the sixth I-Ops team member and has forged a brotherhood of sorts with the other men. When he's asked to go on a solo mission for the PSI Branch (Paranormal Security and Intelligence) he's not so sure he wants his old job back.
Inara Nash is a survivor, doing what she must to get by. On the run for years, from an organization she doesn't fully understand, she tries to stay below the radar. When a blond hunk arrives and claims he's her savior, she suspects her luck might have finally run out. Sure, he's hot and looks like he'd be good in bed but there is something almost magical about him that defies reality. And if there is one thing she's learned in her life in the paranormal underground it's you never trust a magik.
©2014 Mandy M. Roth (P)2014 Mandy M. RothListeners also enjoyed...
This is the first of the novella’s I’ve listened too that had not been revised and extended by the author and narrated by Mason Lloyd. It felt a bit thin on the ground in terms of plot and character development. This was a shame as I’d been looking forward to Eadan’s story, especially after Wilson’s story had been so good.
Eadan came across as a bit smarmy and self-satisfied and Inara was one dimensionally clueless and inexperienced, which just didn’t capture my imagination. I didn’t buy into them as individuals or as a couple in the novella. All Eadan’s angst from his history was swept away and Inara didn’t seem to have a problem with anything except him potentially holding out on sex from her.
The new narrator - Topher Samuels, had a very stilted reading style and didn’t do the character voices justice, which seemed to add to flippancy to the the characters, detracting any gravitas and depth.
The plot didn’t seem to go anywhere in particular and you never got a sense that Eadan or Inara were ever in any true danger. In the end I felt like the author’s heart wasn’t in this one.
Woefully lacking in character and plot development
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