Literary History & Criticism

Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator.

Agatha Christie is renowned for her captivating plots and creative ways of killing off ill-fated victims. And what better way to add intrigue to a story than poison? The surreptitious ways they can be administered and the characteristic symptoms they produce make these killer chemicals the ideal method of murder in a ‘whodunit’. Christie perfected the use of poisons in her plots; her deft and varied use of toxic substances is one of her great strengths as a writer. But how is it that some compounds prove so fatal, and in such tiny amounts?

Legendary Ancient Greek stories.

Step into the vivid, paradoxical world of G. K. Chesterton—where saints dance with skeptics, riddles reveal truth, and the ordinary becomes extraordinary. Best known for his wit and philosophical insight, Chesterton’s poetry is a rich blend of humor, faith, social commentary, and fierce imagination. From the rousing rhythms of “Lepanto” to the introspective depth of “The Ballad of the White Horse”, this curated selection showcases Chesterton’s signature style: playful yet profound, grounded yet soaring.

The Oxford Handbook of George Orwell offers a wide-ranging reconsideration of Orwell's life and work, focusing on the extensive connections between his novels, essays, diaries, columns, letters, and reviews. Sections on Orwell's professional activities, his main literary influences, his politics, his intellectual fixations, his literary contemporaries, and his legacies structure the book, which moves thematically and topically through the full scope of his output.

Marking the 250th anniversary of Jane Austen's birth, What Matters in Jane Austen? solves the mysteries of Austen’s fictional world. Jane Austen’s novels have been a staple of the English canon since the nineteenth century. Yet critics of the time did not appreciate the true complexity of her work. Nothing, John Mullan argues, is accidental or coincidental in Austen. As Austen herself said, she wrote for readers who have "a great deal of ingenuity themselves."

As formally inventive as listeners have come to expect from one of the most daring writers around, and as wild and tricky as its subject matter requires, Goblinhood: Goblin as a Mode presents us with a series of essays and poems that playfully, artfully propound Jen Calleja's theory of 'goblinhood'—a theory that takes in all aspects of pop culture from film, tv, literature and art as well as the author's personal and original examinations of grief, lust, family histories and the physical fact of living in the world as it is.

"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms.

A study of the spiritual practices developed by the nineteenth-century American Transcendentalist movement and a case for their necessity today.

From birth to death, we care and are cared for by others. Yet we rarely acknowledge care except when it fails. In Love, Money, Duty, Rachel Adams examines the stories we tell about care, those who do the work, and those who depend on it. These narratives, she argues, help us better understand our complicated feelings about care and the obligations that come with it.

Why are there so many examples of public figures, entertainers, and normal, everyday people in blackface? And why aren’t there as many examples of people of color in whiteface? This book explains what blackface is, why it occurred, and what its legacies are in the 21st century. There is a filthy and vile thread—sometimes it’s tied into a noose—that connects the first performances of Blackness on English stages, the birth of blackface minstrelsy, contemporary performances of Blackness, and anti-Black racism.

For a century, magazines were the authors of culture and taste, of intelligence and policy — until they were overthrown by the voices of the public themselves online. Here is a tribute to all that magazines were, from their origins in London and on Ben Franklin’s press; through their boom — enabled by new technologies — as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet.

Ladd Hamilton's vivid storytelling brings to life the infamous murder of popular Lewiston merchant Lloyd Magruder in the Bitterroot Mountains during the 1860s Idaho-Montana gold rush.

The mall near Mat thew Newton’s childhood home in Pittsburgh, Pennsylvania, was one of the state’s first enclosed shopping malls. Like all malls in their heyday, this one was a climate-controlled pleasuredome where strangers converged. It boasted waterfalls, fish ponds, an indoor ice skating rink larger than Rockefeller Center’s, and a monolithic clock tower illuminated year-round beneath a canopy of interconnected skylights. It also became the backdrop for filmmaker George A. Romero’s zombie opus Dawn of the Dead.

We all wear hoods: the Grim Reaper, Red Riding Hood, torturers, executioners and the executed, athletes, laborers, anarchists, rappers, babies in onesies, and anyone who’s ever grabbed a hoodie on a chilly day. Alison Kinney’s Hood explores the material and symbolic vibrancy of this everyday garment and political semaphore, which often protects the powerful at the expense of the powerless—with deadly results.

In Earth, a planetary scientist and a literary humanist explore what happens when we think of the Earth as an object viewable from space. As a “blue marble,” “a blue pale dot,” or, as Chaucer described it, “this litel spot of erthe,” the solitary orb is a challenge to scale and to human self-importance. Beautiful and self-contained, the Earth turns out to be far less knowable than it at first appears: its vast interior an inferno of incandescent and yet solid rock and a reservoir of water vaster than the ocean, a world within the world.

For as long as people have traveled to distant lands, they have brought home objects to certify the journey. More than mere merchandise, these travel souvenirs take on a personal and cultural meaning that goes beyond the object itself. Drawing on several millennia of examples—from the relic-driven quests of early Christians, to the mass-produced tchotchkes that line the shelves of a Disney gift shop—travel writer Rolf Potts delves into a complicated history that explores issues of authenticity, cultural obligation, market forces, human suffering, and self-presentation.

Every shelf is different and every bookshelf tells a different story. One bookshelf can creak with character in a bohemian coffee shop and another can groan with gravitas in the Library of Congress. Writer and historian Lydia Pyne finds bookshelves to be holders not just of books but of so many other things: values, vibes, and verbs that can be contained and displayed in the buildings and rooms of contemporary human existence.

What is silence? In a series of short meditations, novelist and playwright John Biguenet considers silence as a servant of power, as a lie, as a punishment, as the voice of God, as a terrorist’s final weapon, as a luxury good, as the reason for torture—in short, as an object we both do and do not recognize. Concluding with the prospects for its future in a world burgeoning with noise, Biguenet asks whether we should desire or fear silence—or if it is even ours to choose.

Ad oggi la raccolta di fiabe abruzzesi più completa e autentica, storie raccolte dal Ciampoli nel corso dei suoi peregrinaggi in lungo e in largo per l’Abruzzo a cavallo tra la fine dell’800 e l’inizio del ‘900, questo volume getta luce sulle tradizioni e sul folklore di una tra le regione più suggestive d’Italia. Domenico Ciampoli (Atessa, 23 agosto 1852 – Roma, 21 marzo 1929) è stato uno scrittore, bibliotecario e slavista italiano.FEAT DESC