United States

Melanie Jenkins, newly single and desperate for change, swaps her ER scrubs for a stethoscope and a one-way ticket to Crazy Town. Her destination? The mansion of Rhonda Miltmore—hypochondriac extraordinaire and self-appointed Cupid. Enter Brent Miltmore: Wall Street titan with an emotional portfolio in dire need of diversification. When he takes a tumble (literally), guess who becomes his reluctant caretaker? Yep, his childhood nemesis.

For a quarter century, Peggy Noonan has been thinking aloud about America in her much-loved Wall Street Journal column. In this new collection of her essential recent work, Noonan demonstrates the erudition, wisdom and humor that have made her one of America’s most admired writers. She calls balls and strikes on the political shenanigans of recent leaders and she honors the integrity of great Americans, ranging from Billy Graham to the heroes of 9/11.

Détroit, fin des années 1970. Hannah et Wes Jarrett forment l'une des familles les plus en vue de l'élite blanche et bourgeoise. Mais entre les galas caritatifs et les déplacements d'affaires, ils se croisent à peine et n'ont plus en commun que leurs deux enfants, choyés par la gouvernante. Par ailleurs, des gros titres abominables font la une des journaux : des cadavres de garçons sont retrouvés nus, sans vie, comme exposés au public. Par un meurtrier dont on ne sait rien, et que les médias s'empressent de nommer Babysitter.

Emily Dickinson lived as a recluse in Amherst, Massachusetts, dedicating herself to writing a "letter to the world" - the 1,775 poems left unpublished at her death in 1886. Today, Dickinson stands in the front rank of American poets. This considered collection includes thiry-eight poems that were published between Dickinson's death and 1900. They express her concepts of life and death, of love and nature, and of what Henry James called "the landscape of the soul."

Si vous avez aimé L'Anomalie, vous adorerez La Mesure ! " Il est difficile d'imaginer le monde d'avant, dans lequel elles n'existaient pas. Quand elles sont apparues au mois de mars, personne ne savait quoi faire de ces petites boîtes étranges arrivées avec le printemps. Sur chacune d'elles était inscrit un message simple : "La mesure de votre vie se trouve à l'intérieur'. " À partir de ce moment-là, tout a changé. Celles et ceux qui ont ouvert leur boîte ont découvert une cordelette, plus ou moins longue.

First published in 1732 by Benjamin Franklin when he was just 26, Poor Richard's Almanack was issued annually for the next 25 years. Extremely popular with readers of the day, the Almanack was a fascinating compilation of weather predictions, recipes, jokes, and delightful aphorisms — many representing Franklin's common-sense philosophy, and others, proverbs from the past.

"Cos'è giusto? Se si vuole una cosa è giusto prendersela. Se si vuole fare una cosa è giusto farla". Sesso facile, cocaina, feste sempre più trasgressive, auto di lusso, rock a tutto volume: a Los Angeles i giovanissimi che frequentano l'ambiente patinato degli studios cinematografici hanno tutto e non desiderano più niente. In un mondo illuminato dai bagliori spettrali dei videoclip e svuotato di ogni sentimento, Clay, Blair, Daniel e Julian, biondi e abbronzati, esplorano le pieghe infernali del "paradiso" californiano in un crescendo di immoralità e devastazione interiore che presto sconfina nell'orrore.

Nestled between the smoky, rolling peaks of Southern Appalachia lies the town of Brevard, North Carolina. When Chris Avery's family moves to Brevard in the early 1970s, Chris quickly becomes immersed in a world untouched by the mire of life outside the mountains.

Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him. The frightening bone picker is just one of many entities, scary and mysterious, who lurk behind every moment of this spine-tingling collection of Native fiction, written by award-winning Choctaw author Devon A. Mihesuah.

Detective Arias hunts for a murderer on a liberal arts campus that prides itself on its progressive curriculum but is rife with jealousy, racial and sexual tensions, and a hierarchy as real and destructive as a medieval fortress. DJ Arias, good at his job because he sees the worst in people, is challenged by the college community, a neighborhood recluse, and a young Latino gardener he sent to jail ten years ago for a hit-and-run accident.

Prohibition is in full swing, and the glamorous life of upper-class Kansas City is everything Rose (Luna) Lane ever hoped it would be. Being married to her best friend isn’t so bad either, considering their agreement to keep their real love lives out of the public eye. However, try as she might to continue her life of anonymity, her popularity as a land developer’s wife—and as a successful club owner—draws even more attention to her personal endeavors. Soon, the balancing act between the life of Luna and Rose becomes a full-time job itself, making visiting home harder than ever before.

A soul-warming love story, nestled in an inspiring tale of the American Dream and an Indian Dream shattered by the evils of globalization—that pays homage to a generation of immigrants who held their heads low so one day, their children lift could theirs high.

When We Were Everything traces the delicate, tangled threads of relationships that define us. Through a series of deeply personal poems and stories, these pieces capture the bittersweet essence of youth, the complexities of love, and the unvarnished reality of growing up. This collection is a journey through the heart—reflecting on past loves, missed connections, and the enduring search for meaning in a world that never stops moving. Perfect for listeners who appreciate introspective, character-driven writing that speaks to the soul.

The Sisters of Blue Mountain Beach is a gripping tale revolving around the lives of three remarkable women who suddenly go missing in the devastating aftermath of a ferocious hurricane on Florida's renowned 30A.

Often, when speaking of what he has called the poetic operation of language, Scott Cairns has characterized that event as our “glimpsing an indeterminate, inexhaustible enormity within a discrete space.” This is the poet's continuing fascination with lacunae, those spaces, those openings that offer more within than appearances can register from outside the ostensible covert of their terms. Cairns is here focused upon how an image, a word, or—in the case of the Theotokos—a womb can contain the uncontainable.