
Lasting Damage
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Narrated by:
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Emma Kay
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Simon Slater
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By:
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Sophie Hannah
About this listen
It's 1.15 a.m. Connie Bowskill should be asleep. Instead, she's logging on to a property website in search of a particular house: 11 Bentley Grove, Cambridge. She knows it's for sale; she saw the estate agent's board in the front garden less than six hours ago. Soon Connie is clicking on the 'Virtual Tour' button, keen to see the inside of 11 Bentley Grove and put her mind at rest once and for all.
She finds herself looking at a scene from a nightmare: in the living room, in the middle of the carpet, there's a woman lying face down in a huge pool of blood. In shock, Connie wakes her husband, Kit. But when Kit sits down at the computer to take a look, he sees no dead body, only a pristine beige carpet in a perfectly ordinary room….
©2011 Sophie Hannah (P)2011 Hodder & Stoughton Audiobookscouldn't hear half of it.
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Good start but just lost it at the end
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Brilliant (but whispering annoying)
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Imaginative and Enjoyable
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Great Book.
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A jolly good story,well told.
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not my taste
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Unnecessarily complicated
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Book of two halves
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What could have made this a 4 or 5-star listening experience for you?
The story hinges on the most contrived plot device I've ever read. Two separate police forces are actually meant to take seriously the claims of our protagonist - Connie - that she saw a dead body during a search of an estate agency website in the early hours of the morning...which has then disappeared.We're then into the realms of fantasists, liars, game-players - useful devices for a 'psychological thriller' when the stretching of credibility beyond snapping point covers up the inadequacies of the story-telling.
By the end, when over-long - and still incredible - explanations are being made about what has happened and, apparently, why, I was past caring. If I'd not been in the middle of a marathon decorating task, I'd have given up.
Would you ever listen to anything by Sophie Hannah again?
On the basis of Lasting Damage, certainly not.How could the performance have been better?
The narration was also less than wonderful, with, on many, many occasions, the emphasis on the wrong words, or missing altogether, when emphasis was needed.Contrived and convoluted
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