
The Poison Bed
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Narrated by:
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Ross Anderson
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Perdita Weeks
About this listen
Penguin presents the audiobook edition of The Poison Bed by E C Fremantle, read by Ross Anderson and Perdita Weeks.
A Marriage. A Murder. One of them did it. Which of them will die for it?
In the autumn of 1615 scandal rocks the Jacobean court when a celebrated couple are imprisoned on suspicion of murder. She is young, captivating and from a notorious family. He is one of the richest and most powerful men in the kingdom.
Some believe she is innocent; others think her wicked or insane. He claims no knowledge of the murder. The king suspects them both, though it is his secret at stake.
Who is telling the truth? Who has the most to lose? And who is willing to commit murder?
'A Jacobean GONE GIRL Dark and deeply satisfying, THE POISON BED is a tale of monstrous intrigue and murder' M J Carter
'Deliciously sinister. A toxic blend of glamour, intrigue and ambition' Andrew Taylor
'A thoroughly compelling tale of sexually-charged intrigue and murder. Once started, impossible to put down' Minette Walters
Amazing story based in fact
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The narration was patchy too. Ross Anderson made a good fist of Robert Carr, but Perdita Weeks' performance was disappointing, for so clear a reader (her reading of 'Circe' was perfection). It was really annoying to have to replay bits with the volume turned up. I stopped doing that eventually. it made no difference to the story.
What a slog
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Enjoyable
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With little background into why she was the way that she was.
Started great ended okay!
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Not gripped by this book
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a lovely read.
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Superb
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Narrating is vastly different from reading out loud. One is easy, the other is supremely difficult. Ross Anderson can read out loud. His delivery is monotonous, colourless and ultimately very boring to listen to. Perdita Weeks has a very good voice, full of colour and subtle nuance. Her internal volume control needs some readjustment, though. She veers wildly, from a whisper, to a sudden bellow. This happens continually, from sentence to sentence and within sentences. It has quite a significant effect on the listeners ability to actually hear what she is saying. This is important, but easily fixed by simple microphone technique.
Well worth a credit.
Good Old Fashioned Treachery
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Poison Bed
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Interesting and Impressive
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