Episodes

  • 240 - Robbie Lawrence

    240 - Robbie Lawrence
    Sep 25 2024
    Robbie Lawrence is a London based Scottish photographer and director represented by Webber Represents. Robbie is acutely attentive to the way images tell a story. Working with a painterly softness and sensitivity to his subjects, he deals in detail and nuance. From portraiture, travel and documentary to editorial work, he places the human experience front and centre to create thoughtful, abstract images, with an emphasis on narrative.Recent books include Blackwater River and A Voice Above The Linn published by Stanley/Barker. Stills gallery in Edinburgh hosted the first UK institutional solo exhibition by Robbie in 2022, bringing together a snapshot of life post-Brexit across Scotland’s cities, rural locations and coastal towns.Robbie’s new book, Long Walk Home, was just released (September 2024) by Stanley/Barker.Clients Include: UN, Apple, Nike, Hermes, Gucci, The New Yorker, Du Monde, The New York Times Magazine, The Atlantic, I-D and many others. In episode 240, Robbie discusses, among other things:His recent assignment at The OlympicsHis internship in Paris and his time in New YorkHis relationship to painting and writingBuilding a career to encompass commercial and personal workHow working commercially can be a ‘relief’.His ‘macrojournalistic approach’His first book project, Blackwater RiverHis second book, A Voice Above The LinnCollaboration with poet John BurnsideHis new book about the Highland Games, Long Walk Home.Why he threw away three years worth of work and began againWorking digitally with ‘manual’ lensesThe difference between myth and historyA reading from John Burnside’s essay in the bookReferenced:The Tokyo Olympiad, Kon IchikawaThe French, William KleinJohn BurnsideRenton’s rant on why it’s ‘shite being Scottish’ from the movie Trainspotting Website | Instagram“I like the variety […] I like being on set. You become more like a director. As a photographer you’re almost the emotional heartbeat of a set. It’s interesting because at school and university I really found exams hellish from an expectation point of view. Like, I would put myself under a lot of pressure. And I would describe some of those more pressurised commercial jobs almost like a school exam where you expected to produce something of quality under a very tight time constraint. As a physical experience it can feel similar, and I suppose maybe it’s just experience that I can now recall moments where I’ve overcome those kind of stresses. So I like the shift.” VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 20 mins
  • 239 - Kiana Hayeri

    239 - Kiana Hayeri
    Sep 11 2024
    Visual storyteller Kiana Hayeri grew up in Tehran and moved to Toronto while she was still a teenager. Faced with the challenges of adapting to a new environment, she took up photography as a way of bridging the gap in language and culture. In 2014, a short month before NATO forces pulled out, Kiana moved to Kabul and stayed on for 8 years. Her work often explores complex topics such as migration, adolescence, identity and sexuality in conflict-ridden societies.In 2014, Kiana was named as one of the emerging photographers by PDN 30 Under 30. In 2016, she was selected as the recipient of Chris Hondros Award as an emerging photographer. In 2017, she received a grant from European Journalism Center to do a series of reporting on gender equality out of Afghanistan and received Stern Grant in 2018 to continue her work on the state of mental health among afghan women. In 2020, Kiana received Tim Hetherington Visionary award for her proposed project to reveal the dangers of dilettante “hit & run” journalism. Later that year, she was named as the 6th recipient of the James Foley Award for Conflict Reporting. In 2021, Kiana received the prestigious Robert Capa Gold Medal for her photographic series Where Prison is Kind of a Freedom, documenting the lives of Afghan women in Herat Prison. In 2022, Kiana was part of The New York Times reporting team that won The Hal Boyle Award for The Collapse of Afghanistan and was shortlisted under International Reporting for the Pulitzer Prize. In the same year, she was also named as the winner of Leica Oskar Barnack Award for her portfolio, Promises Written On the Ice, Left In the Sun, an intimate look into the lives of Afghan from all walks of life.Kiana, along with her colloaborator, the researcher Mélissa Cornet, is recipient of the 2024 Carmignac Photojournalism Award for the reportage No Woman’s Land, an investigation into the plight of women in Afghanistan under the Taliban and the work will be showcased in a double exhibition this Autumn - from October 25th to November 18th - at the Réfectoire des Cordeliers in Paris as part of the Photo Saint Germain festival.Kiana is a Senior TED fellow, a National Geographic Explorer grantee and a regular contributor to The New York Times and National Geographic. She is currently based in Sarajevo, telling stories from Afghanistan, The Balkans and beyond. In episode 239, Kiana discusses, among other things:Her story for the NYT about FGM in GambiaGender apartheidHer take on winning awards as a photojournalistHaving to Google what the Robert Cap Gold Medal was - having won itHer book When Cages FlyMoving to Canada from Iran as a teenagerHow photography helped her bridge the ‘culture and language gap’.Being at a ‘gifted’ schoolHer first trip to AfghanistanComparisons with Iran in terms of relative ‘liberalism’.Her first commission from National GeographicHer story on women in Herat prisonThe moment Afghanistan fell to the Taliban and her guilt over leaving friends behindGender apartheid in Afghanistan specificallyThe dangers of ‘dilettante hit and run journalism’ Referenced: Eddie Adams workshopsDominic NahrKitra CahanaEd OuGuy MartinStephen MayesMélissa CornetSarah Leen Website | Instagram “I tell people having a camera is like living a thousand different lives, but you have that camera as an excuse to immerse yourself into something, live it for a while and then walk away when you’re ready.” VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 14 mins
  • 238 - Diana Matar

    238 - Diana Matar
    Aug 28 2024
    Using photography, testimony and archive, Diana Matar's in-depth bodies of work investigate themes of history, memory and state sponsored violence. Grounded in heavy research and often spending years on a project, Diana attempts to capture the invisible traces of human history and produces installations and books that query what role aesthetics might playin the depiction of power. A graduate of the Royal College of Art, Diana has received the Deutsche Bank Pyramid Award for Fine Art; the International Fund for Documentary Photography; a Ford Foundation Grant for artists making work on history and memory; and twice been awarded an Arts Council of England Individual Artist Grant. Her work is held in public and private collections and has been exhibited in numerous institutions including Tate Modern, London; The National Museum of Singapore; Museum Folkswang, Essen, Germany; The Institut du Monde Arabe, Paris; The Museum of Contemporary Photography, Chicago; and Musee de la Photographie a Charleroi. Her monograph Evidencewas published in 2014 by Schilt Publishing Amsterdam to critical acclaim and chosen by New York Times Photography critic Teju Cole as one of two best photography books of the year. In 2019 Matar was appointed Distinguished Artist at Barnard College Columbia University, New York. In April 2024 Diana’s most recent book, My America, was published by GOST Books. In episode 238, Diana discusses, among other things:Early experiences in Panama and Latin America.How an errand to buy a lightbulb changed everything.A brush with Manuel Noriega.How she met her Libyan husband, the writer Hisham Matar.Why she found doing her M.A. ‘really, really challenging’.Her first book project, Evidence.The inclusion of her own writing in the book.Her latest book, My America.Some of the key factors around the issue of police shootings.The complexities of the subject.How she has “intermalised a European sense of America.”Why she shot the project on her iPhone and the rules she imposed on herself.Whether photographs can ‘bear the burden of history.’What she is currently working on.Her reaction to the bonus questions. Website | Instagram“I think I internalised a European sense of America in several different ways. When I was out on the road a lot of things seemed exotic to me, things that I’d grown up with and were just part of being: the long distances; these buildings that just pop up in the middle of nowhere; the emptiness; the scale… the kind of watching of movies of what is the American west. The internalisation I think has something to do with scale. I live in London - the small streets, you’re around people all the time, and then being in this openness, which i miss and i love, but I did find it unnerving and it effected how I made the work actually.” VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 6 mins
  • 237 - Abdul Kircher

    237 - Abdul Kircher
    Aug 14 2024
    Abdulhamid Kircher is an artist from Queens, New York. He was born in 1996 in Berlin to German and Turkish parents, and immigrated with his mother to the United States at the age of eight. His work is a living archive of place and people, as it is also a dedication to the language of photography, the mechanics and aesthetic possibilities of the form. Through his devotion to classical forms of image making and the radical experimentation required for each of his subjects, his process bridges the idea between document and narrative. He received his BA in Culture and Media from The New School in 2018 and his MFA in Visual Arts from the University of California San Diego in 2022. Abdul currently lives and works between Berlin and Los Angeles.Abdul’s debut photobook, Rotting From Within, was recently published by Loose Joints in June this year (2024). In it Abdul explores identity, patriarchy, generational trauma and the possibility of reconciliation in a diaristic project between Berlin and Turkey. A solo exhibition of the work is currently on show at the Carlier Gebauer gallery in Berlin until the 31st August. The 53 minute documentary film, Noch ein Kind (Still a Kid), 2024, by Abdul’s childhood friend Maxi Hachem, a Lebanese-German filmmaker based in Berlin, is also being screened as part of the exhibition. His documentary investigates the complex relationships and wounded history of Rotting from Within spanning the past three years between Berlin and Turkey. In episode 237, Abdul discusses, among other things:His early life “dragging bags of weed around the house”The history of paternal abuse in his familyHow he ended up moving from Berlin to New YorkHow he got into photography through TumblrHow his interest in photography drove the reconnection with his fatherWhere the books title stems fromParallels between his mum and grandmotherKeeping a diary since highschoolHis obsessive nature and tendency for self-flagellationHis partner, Zoe, who contributed text to the bookHow the documentary his friend Maxi Hachem shot, Noch Ein Kind (Still A Kid)How the work has been received as an exhibitionHow the process of making the work may or may not have helped himWebsite | Instagram “I love it, but it’s beyond love because it feels like something that I just need to do. That’s why I was talking about photography being such an intuitive thing in my head, it’s because I don’t really have an option. I need to take these photographs, I need to make these photographs, and it’s not really something I have power over. And I think that’s the scary bit, it’s that yes I love it for what it’s allowed me to explore and allowed me to sort of open up to the world, but in that way it’s also become a burden.” VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 10 mins
  • 236 - Louis Quail

    236 - Louis Quail
    Jul 31 2024

    Louis Quail is a documentary photographer who increasingly devotes his time to personal, long-term projects. His most recent work ‘Big Brother’ (published with Dewi Lewis, 2018), has received significant critical acclaim. The book and the work in it has been shortlisted for the Arles Book and Text award 2018, Wellcome Trust photography prize 2019 and is winner of the Renaissance Series Prize 2017. His Arts Council funded, Solo show, ‘Before They Were Fallen’ also received significant exposure. It toured the UK and reflects an interest in aftermath that has taken him, previously to Libya, Afghanistan, Haiti and Kosovo. He has worked extensively for some of the UK’s best known magazines and has been published internationally over a period of many years. He has twice been a finalist at the National Portrait Gallery portraiture award and is held in their permanent collection. He lectures, exhibits internationally and makes short films.

    In episode 236, Louis discusses, among other things:

    • How the subject of his book, his big brother Justin, is doing
    • Childhood with his schizophrenic mum
    • Why he believes firmly in the importance of tolerance
    • The way that he approached telling his brother’s story
    • Some of the structural and political issues that impact people with mental health issues
    • The importance of not over-focussing on some of the un-pc language that some of us use in daily life (including me, in this example)
    • How he found his way into photography
    • His portrait series ‘Aftermath’ which began in Kosovo
    • His career as a jobbing editorial photographer
    • HIs latest project about air pollution

    Website | Instagram

    “I’m not judgemental, I’m quite tolerant, and I do think that’s an important quaility that’s very much overlooked, especially these days on Twitter when everyone’s reacting to stuff all the time. I don’t like that. I’m really just into giving people a bit of space an allowing people to make some mistakes.”

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    1 hr and 15 mins
  • 235 - Debi Cornwall

    235 - Debi Cornwall
    Jul 17 2024
    Debi Cornwall is a multimedia documentary artist who returned to visual expression after a 12-year career as a civil-rights lawyer. Her work explores the performance of power, citizenship and identity through still and moving images, sound, testimony, and archival material.While completing a degree in Modern Culture and Media at Brown University, Debi studied photography at RISD. After working for photographers Mary Ellen Mark and Sylvia Plachy, as an AP stringer, and as an investigator for the federal public defender's office, she attended Harvard Law School and practiced as a wrongful conviction attorney for more than a decade, also training as a mediator. Exhaustive research and negotiation were critical to her advocacy and remain integral to her visual practice.Debi was awarded the 2023 Prix Elysée, a biennial juried contemporary photography prize created by the Photo Elysée Museum in Lausanne, Switzerland with the support of Parmigiani Fleurier. The award enabled her to complete Model Citizens, now a book in English and French editions (Radius/Textuel) and an exhibition at the 2024 Rencontres d'Arles festival. She is also a 2024 New York State Council on the Arts (NYSCA) Individual Artist Grantee in film, a 2019 NYSCA/NYFA Artist Fellow in photography, and inaugural Leica Women Foto Project Award winner. Debi’s work has been profiled in publications including Art in America, European Photography Magazine, British Journal of Photography, the New York Times Magazine, and Hyperallergic, and is held in public and private collections around the world.Debi has published two previous books, Welcome to Camp America: Inside Guantánamo Bay and Necessary Fictions. She is also an ICP faculty member, teaching students how to plumb deeper layers in their work, and consults independently with artists developing long-term projects. In episode 235, Debi discusses, among other things:Winning the Prix ElyséeHer path into a legal career in civil rightsThe ightbulb moment that took her to Guantanamo BayWorking around restrictions imposed“The performance of American power”Her secoond book Necessary FictionsHer films Pineland/Hollywood and Jade HelmHer latest book Model Citizens Website | Instagram“I don’t think it’s a thread in the work so much as something that I’m really sitting with personally and creatively, but I have this advocate self who is outraged and frustrated at what is happening in our societies. And I have a trained mediator in me, which is more consistent with my creative approach, who thinks none of this changes unless we can really talk to each other across these divides; unless we can accept each other’s humanity and hear each other. Because that isn’t happening.” VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 11 mins
  • 234 - Photomeet 2024 Special

    234 - Photomeet 2024 Special
    Jul 3 2024

    Featuring:

    • Mimi Mollica website/Instagram
    • Keerthana Kunnath website/Instagram
    • Mikael Buck website/Instagram
    • Chris Dorley Brown website/Instagram
    • Shaw & Shaw website/Instagram
    • Mal Woolford website/Instagram
    • Imogen Forte website/Instagram
    • Quetzal Maucci website/Instagram
    • Richard Eyers website/Instagram

    Website | Instagram

    • VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!
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    52 mins
  • 233 - Chloé Jafé

    233 - Chloé Jafé
    Jun 19 2024

    Born in Lyon in 1984 represented by Ibasho and galerie écho 119, Chloé Jafé is an artist and a photographer trained at the École de Condé in Lyon and at the UAL Central Saint Martins School in London.

    She has been able to create a unique personal voice in the world of documentary photography. Those close to her say bluntly that she photographs with her gut, using the camera as a key to understanding the strange and the foreign. Her obsession and intuition has enabled her to access secret worlds. Her ability to connect to her subjects has meant her work really is exceptionally personal – the world through Chloe Jafes eyes.

    She worked and immersed herself in Japan and Japanese culture from 2013-2019 creating a trilogy of work. The images are raw, black and white, tender and ferocious. She reveals an unprecedented vision of hidden parts of Japanese society. Her trilogy, composed of the chapters “I give you my life", "Okinawa mon amour" and "How I met Jiro", highlights the little-known and subversive sides of a place where modesty is paramount.

    Critically acclaimed, her work on the women of the Yakuza was rewarded by the Bourse du Talent in 2017 and exhibited at the Bibliotèque nationale de France.

    Attracted by sensitive and difficult subjects, often marginal, Chloé Jafé does not hesitate in her practice to push the limits of the photographic medium by working directly on prints, in acrylic and brush. Each of her series has resulted in a limited edition book, bound and handcrafted by the artist.

    In episode 233, Chloé discusses, among other things:

    • Photography as ‘a tool’
    • Her first trip to Japan
    • Moving there
    • Hostess job
    • Meeting ‘the boss’
    • The women of The Yakuza
    • The significance of tattoos
    • Painting onto her prints
    • Her trilogy of books: I Give You My Life, Okinawa Mon Amour and How I Met Jiro
    • Finding abandoned negatives
    • Adventures in publishing

    Referenced:

    • Paolo Roversi
    • Sarah Moon
    • Yakuza Moon
    • Jake Adelstein
    • Reminders Project
    • Teun van der Heijden

    Website | Instagram

    “I was sure this project was mine. I had to do this. You know, I think I was frustrated that I was the right person to do this, and it was my mission. I was sure about that.”

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    1 hr and 8 mins