If George Washington knew about Debie Frable's Killer Sangria, he probably would have wanted A LOT of it to help him get through the Revolutionary War because boy, is this good stuff! Make it TODAY. But at the time, Washington really just wanted socks--he never had enough socks, as we learned from reading Anne L. Macdonald's No Idle Hands: The Social History of American Knitting. As much as knitting and needlework have been dismissed as the stuff of “Pots and Pans,” as the “prankish students” at Yale referred to their social history class in the 1930s, Macdonald reminds us that local women bearing clothing and food to the naked, starving soldiers at Valley Forge literally saved the day:

“[T]here was no mistaking the joy of soldiers on the verge of open revolt when sentinels pacing the camp’s outer limits spotted an advancing cavalcade of ‘[t]en women in carts, each cart drawn by ten pairs of oxen, and bearing tons of meal and other supplies, [who] passed through the lines amid cheers that rent the air.’ Those devoted women . . . ‘preserved the army, and Independence from that day was assured.’”

Anne L. Macdonald, No Idle Hands: The Social History of American Knitting, pp. 36-7.

The value of everyday things--adequate food and clothing--should never be underestimated. Macdonald reminds us that the war for American independence was fought on two fronts, the political and the economic. The burden of weaponizing the economy through the boycott of British goods fell mainly to women who were charged with making their own or doing without. As one Mrs. Troupe recounted Martha Washington explaining, “Whilst our husbands and brothers are examples of patriotism, we must be patterns of industry” (p. 39). Townships—which really meant local women—were charged with clothing their troops or risk being fined. Even children were expected to knit or spin a certain amount every day before going out to play. Can you imagine?! “Finish that row, buddy, because George Washington needs those socks!”

As bad as we think it is now, we would not go back to those times, but reading about them reminds us of the sacrifices everyone—men, women and children—made in the fight for our nation’s political and economic independence. We owe it to them to preserve that. Enough said.

Behind the scenes at Serial Knitters with Debie Frable in Bootie and Bossy's Episode 42!

Ever wonder what goes into hand-dyed yarn? The short answer is A LOT, as we learned from Debie Frable, owner of Serial Knitters Dye House. First there’s the prepping of the yarn—teasing out each tie on the skein so that the dye can fully penetrate the fiber (unless you want something that looks like tie-dye). There are 3 ties on a skein, so let’s do the math: if she makes 300 skeins of her top-selling yarn, Cherry Creek sock, she is teasing out 900 ties for just that colorway in one base, not to mention the new ties she is attaching so she can manipulate it and hang it up. Then she has to wash it because dirt and fat on the yarn will resist the dye. Then there’s the soaking in an acid bath (not the kind of acid used for dissolving dead bodies, in case you were wondering). Tired yet? You have not even started the dyeing, you slacker! Maybe that’s multiple dips in a single color to get just the right depth of red for her “Drac Snack” (are you picking up a bit of a Goth theme yet?). Or Debie’s favorite speckled yarns where she sprinkles on powdered dyes. She then “cooks” the yarn in a warming oven to set the color. Now more washing, and finally hanging the skeins up to dry. As Debie says,

"Nothing about my dye process is glamorous. I consider myself a glorified washer woman, except for the fact that I am dealing with color, and I am in love with color--it inspires me and keeps me going. But it’s a heavy job in that you are dealing with wet skeins of yarn, big pots of water, heavy pans of wet yarn. Then you’re hunched over a sink washing out yarn. Sometimes knitters think it’s so expensive, but you need to understand how much work goes into it."

Debie Frable, Serial Knitters

There’s a lot of work, but there’s also artistry in her colorways, and some quirky creativity, like her colorway named for her favorite cat, Ted, and the adventures they have together in her dreams (look for “Snorkel Ted”). And there are the sweaters she makes for skeletons too--they are clearly having a blast!

We learned so much from Debie, not just about dyeing and selling, but also some tips about knitting with hand-dyed yarn. And did we mention her “Killer Sangria” recipe? Because you are going to need a drink after all that work!

What's worth talking about? Pixar's short "Purl" in Bootie and Bossy's Episode 41!

What happens when a pink ball of yarn named Purl starts working at B.R.O. Industries? Find out in Kristen Lester’s Pixar animated short “Purl.” There’s a lot going on in these 8 minutes that’s worth talking about. It’s “unbeweavable,” as Purl herself would say, but there’s a deeper message underneath all of the knitting puns. Purl is the literal and classic “round” character capable of surprise and transformation as she reknits herself in the bathroom to look more like her male co-workers. Her knitting skills are rewarded too: when she looks and talks more like her “flat,” stereotypical male co-workers, she’s accepted and listened to. But what’s the cost? The arrival of another ball of yellow yarn—"Lacy"—forces her to make a choice: go back to her old, true, round, pink self, or stay flat in her knitted power suit and be accepted by the bros? There’s a beautiful arc and message here as Purl returns to her former self. Here's what Kristen Lester, the director, had to say:

"I wanted to tell and speak to an experience that I felt like we had not been talking about a lot . . . Believe in your voice, believe in what you have to say, believe in the things that you like. You can get challenged a lot, especially when you are a young woman going into the industry. It’s really important to stay true to who you are and believe in yourself."

--Kristen Lester, Director of “Purl”

But Purl’s round, colorful presence also transforms B.R.O. Industries, ostensibly making it a more welcoming place for all. That’s the beauty of inclusion—it makes it better for everyone, right? But what about how the men are flattened and stereotyped? And the guys at B.R.O. Industries—what if they don’t want to change? What if the culture of scarcity makes them feel like they are losing instead of gaining something? Art prompts these important conversations, and these things are worth talking about, especially today. And speaking of great conversation, did we mention that we will be hosting a Zoom Knit Night with Kim Davis on Friday, April 4, 7:00 PM EST/4:00 PM PST? Put it on your calendars now and plan to join us! We’ll be sending out a link to register soon, so stay tuned!

And if you need a little snack to go with your wine, may we recommend Dorie Greenspan’s recipe for “Savory Cheese and Chive Bread” from her cookbook, Around My French Table? It’s easy and versatile—throw in whatever you have on hand—those random hunks of leftover cheese, bacon, walnuts or olives. Even the ungrateful children love it! So whip up some cheesy, savory bread, watch “Purl,” and join us on April 4 for some laughs, some good crafting talk and great conversation!