Lisa Williamson Rosenberg is an author and psychotherapist specializing in depression, complex trauma and racial identity. She is also a former ballet dancer, with essays published in Longreads, Mamalode, The Common, and more, and fiction in Literary Mama and The Piltdown Review, where she was nominated for a Pushcart Prize. She graduated from Princeton University, got her Masters from Hunter College School of Social Work, and her post-masters certification in family therapy from the Ackerman Institute.

Among other things, Lisa and Carter discuss writing what you know, addressing racial themes in fiction, and unreliable narrators in Lisa’s second novel. At the end of their conversation, they make up a short story using a line from Jennifer Chase’s Count Their Graves.

Douglas Brunt attended The Haverford School and graduated from Duke University. He was formerly a management consultant for the information tech company, Booz Allen & Hamilton, and served as a director with Idealab. Until 2011, Brunt was CEO and president of the Florida-based security software company Authentium, Inc. His first novel, Ghosts of Manhattan, was a New York Times bestseller.

Among other things, Douglas and Carter discuss Douglas’s inspiration for his own podcast, the research that goes into writing a non-fiction book, and the reality of getting a movie/TV option for your novel. At the end of their conversation they make up an unpredictable story using a line from David Baldacci’s Simple Genius.

James L’Etoile uses his 29 years behind bars as an influence in his novels, short stories, and screenplays. He is a former associate warden in a maximum-security prison, a hostage negotiator, facility captain, and director of California’s state parole system. He is a nationally recognized expert witness on prison and jail operations. He is a two-time Silver Falchion Award nominee and shortlisted for the Bill Crider Award for short fiction.

Among other things, James and Carter discuss writing being a form of therapy, how writing presentence reports evolved into writing crime fiction, and working with two different publishers. At the end of their conversation, they make up a suspenseful story using a line from Kwei Quartey’s The Whitewashed Tombs.