That Cat gets compulsive in an out-there episode with multi-award-winning author and associate professor, the incontestable Helen Marshall. While Kaaron investigates an autograph book and Joseph discovers a horror show in the guinea pig hutch, Aaron goes fungal and transforms into the Moth Boy. Helen works through her fixation with children and death. The dark and light sides of creative obsession are discussed, as are curiosity, boredom, and fandom – toxic and otherwise. The impact of parenthood on maintaining an obsession. Obsession as fuel to complete a project – and the importance of its ending. Also obsession as possession, romanticising obsession, and obsessive coincidence. Not forgetting mortality dump reads and struggling with smalltalk. Kaaron reveals what really happened to her ducks. Joseph bemoans the dearth of peppered mackerel. Aaron keeps a secret to seem more interesting. Helen invites everyone to visit her toilet.

Paint-pots and palette-knives alluded to in this episode include:

• Emile Zola’s The Masterpiece
• JG Ballard’s Complete short stories
• Joyce Carol Oates’s Night. Sleep. Death. The Stars.
• John Goodwin’s The Cocoon
• CH Pearce’s Jimmy Flip Brings His Little One to Work, and It Comes My Turn to Hold It

Check out the episode page for more pics and bits.

The Cat gets fibrous and transformative over afternoon tea with artist, paper maker and raconteur extraordinaire, the delightful Katharine Nix. While Joseph has an esoteric moment after two cups of tea and Kaaron rejects the popularly held contrivances of narrative convention, Aaron drops the bolognese and lets in the brown-snakes. Ancient alchemical processes are discussed, as are parallel evolution, the creative will, and carnivorous kelp. The urge to ask the big questions. Our quest for answers, forever on the border of a great mystery. The creative similarities between artists and scientists. The beauty of plant fibre paper making. The creative act as the thing in itself. Everyone listens as the rats in the cellar devour Katharine’s Moomins. Aaron flips the table.

Dingbats and wingdings impressed into this episode include:

• Arthur Koestler’s The Act of Creation and The Sleepwalkers
• Dancer and choreographer Meryl Tankard
• Mark Rowlands’ The Philosopher and the Wolf

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The Cat gets mutable (and, frankly, saucy!) in this special episode with our very own Kaaron Warren. While Aaron goes to a disastrous small-town hypnotism show and Kaaron reaches for the white-out, Joseph opens a black magic door that should have been kept well closed. Rewriting the past is discussed, and our changing perspectives on our own past. Also the vanishment of old haunts, and nostalgia – or its lack. The random scraps of things we scribble on when needs must. Writing vs typing. The addictive machinery of writing on a phone. Aaron invests in a woodchipper. Joseph goes home for sad reasons. Kaaron discovers a bizarre corner and a magic space.

Flipperts and gibbets discussed in this show include:

• Gore Vidal’s Myra Breckenridge
• Weird: The Al Yankovic Story
• Brett Easton Ellis’s Less Than Zero
• American Graffiti
• Ian McEwan’s Sweet Tooth
• Tananarive Due’s The Reformatory
• Call-back to the infamous wet string episode

Check out the episode page for more pics and bits.