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We’ve got a cycling industry and bike tech special for you this week on the podcast, as Factor CEO Rob Gitelis joins us to discuss the brand’s history and the latest cutting-edge tech, before we take a closer (audio) inspection of the brand-new Scott Addict RC.

In part one, Rob joins us from sunny Girona to chat about his journey from racing cyclist to working in Taiwan’s fledgling carbon fibre bike manufacturing industry and making bikes for an array of famous brands.

Rob then traces his journey to Factor, the company’s own growth in recent years – which has seen it win grand tour stages and Olympic gold medals – and how it’s been able to weather the storms of the bike industry’s turbulent post-pandemic period.

He also chats about that infamous Chris Froome bike set-up saga, his partnership with Israel-Premier Tech, the inevitable rise of disc brakes, and why the gold medal-winning track tech we saw in Paris – which Rob claims made the Aussies go three seconds faster – could soon be making its way to a road bike near you.

And in part two, Dave gets up close and personal with the brand spanking new Scott Addict RC, the brand’s new top-end climbing bike weighing in at a featherweight 5.9kg.

Dave is joined by the bike’s product designer Christian Holweck and lead engineer Max Koenen to discuss how you go about making such a light bike, while keeping it comfortable and throwing in a few nods to the aero watchers too.

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Like Sir Chris Hoy, who last month revealed that he has terminal prostate cancer, Kevin Griffiths is determined to turn his own experience of living with stage four cancer into a positive.

The Stoke-based cyclist, who hails from two of Britain’s most revered cycling families, launched the Cancer My Arse initiative this year after discovering that his bowel cancer was terminal, four years on from initially undergoing treatment for the disease.

Inspired, he says, to “create a positive out of a negative”, Griffiths hopes Cancer My Arse will galvanise a global community of fighters, survivors, and supporters to collectively raise significant funds for cancer research and support services, primarily through one simple, very unique, and rather difficult challenge – cycling out of the saddle for as long as possible.

In a moving and inspiring interview, Kev details how he attempted to juggle running a fledgling business with his initial cancer treatment, how he came to terms with his terminal diagnosis, and why he hopes his campaigning – along with the positivity and optimism exuded by Hoy following his own terminal cancer announcement – will change the perception of what life can be like living with stage four cancer.

And in the first part of the podcast, Ryan, Dan, and Emily celebrate Mark Cavendish’s ‘official’ retirement by sharing their favourite moments from the Manx Missile’s storied 18-year pro career. What’s your favourite Cav win? Let us know at podcast@road.cc.

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From 2026, the familiar sights of the Tour de France – the epic mountain ranges, fields of sunflowers, Tadej Pogačar riding off into the distance – will remain the same. But for many cycling fans in the UK, the sounds will be very different.

Next year’s Tour, the 25th edition of the race to be shown live on ITV, will also be the final one to be broadcast on free-to-air television in the UK, after it was announced last week that Warner Bros. Discovery and Eurosport have agreed a new exclusive TV rights deal for cycling’s biggest race from 2026 onwards.

On this week’s episode, ITV’s lead cycling commentator Ned Boulting, who’s been working on the race for the channel since 2003, discusses the sad and poignant end of 40 years of the Tour de France on free-to-air British TV, the news of which he discovered while touring his new show, based on the 1923 edition of the race.

Boulting reflects on why ITV’s long association with the race has come to an end, what effect this will have on the Tour’s viewership within the UK, and his own personal relationship with the race.

He also chats about his new show, the ‘Marginal Mystery Tour: 1923 And All That’, which just so happens to celebrate ITV’s coverage of the Tour de France and why he’s crafted a piece of theatre about cycling and the context in which it takes place.