“Features and benefits” were once the most loudly shouted secrets of customer acquisition in Business to Consumer advertising (B2C). I even wrote a chapter in my first book – The Wizard of Ads – on the use of “which means” as a word-bridge between:

1. naming a feature of your product and

2. naming the benefit it delivers to your customer.

But that was 27 years ago.

When “features and benefits” became predictable in B2C advertising, they quickly tumbled into the gutters of “Ad-speak” and lost all of their effectiveness.

Naming features and benefits is still the right thing to do in Business to Business advertising (B2B) and in Direct Response ads. In those environments, your customers already know they are in the cross hairs of a sales pitch. So name a feature, followed by “which means,” and then tell them about the benefit they will experience.

Here’s how that Direct Response ad might sound:

“TwinkleWhite toothpaste contains Polychromaticite® which means your teeth will be whiter, your breath will be fresher, and everyone will be attracted to you. TwinkleWhite toothpaste is the choice of 93% of billionaires and 97% of supermodels worldwide, which means Polychromaticite® is an essential ingredient in the creation of personal wealth and beauty. This miracle toothpaste isn’t sold in stores, which means you will save 65 percent when your order TwinkleWhite directly from the laboratory at TwinkleWhite.com”

Direct Response advertising is a unique monster who lives and dies by its own special rules.

1. It is judged by its ability to generate an immediate result.

2. It offers no continuing benefit to the advertiser.

Direct Response is the preferred method of advertising for people who are selling a stand-alone product, tickets to an event, or a quick solution for a short-term problem, such as roof repair after a hurricane. None of these people is building a brand.

Although ads for B2C sales activation can sound similar to B2B ads and Direct Response ads like the one above, different rules apply.

I will now whisper to you the quiet secrets of B2C sales activation in 2025.

1. Every Powerful Message Comes at a Cost. Vulnerability is the currency that buys trust in today’s over-communicated world. Financial vulnerability, emotional vulnerability, and relational vulnerability demonstrate your sincerity.
2. When you don’t have cash, spend time instead. Brad Casebier owned a tiny plumbing company in a town that doesn’t have enough water. So he calculated how much water a running toilet wastes every day, then advertised that he would install a new toilet flapper for free in every home that had a running toilet. No strings attached. Brad became a superstar and his company became huge. Interestingly, the average person who needed a new toilet flapper spent about $800 on other things they needed done.
3. These diamond earrings whisper, “I love you.” Customer interest skyrockets when inanimate objects have thoughts, feelings, or the ability to speak.
4. Promote your slowest day of the week. I rarely visit my favorite restaurant on Mondays because it is always too crowded. Their offer of “Buy a Burger and Get One Free” packs the house with people who buy lots of appetizers, side dishes, desserts, and drinks from the bar because they saved a couple of bucks on a burger. The offer is for dine-in only.
5. Don’t think like a business owner. Think like the customer. Do not try to unload your buying mistakes through sales activation.

Philip Dusenberry once said, “I have always believed that writing advertisements is the second most profitable form of writing. The first, of course, is ransom notes.”

I can testify that Dusenberry is correct. The best ad writers make more money than the most highly paid lawyers and heart surgeons.

Great advertising makes an enormous difference in the top line revenue of a company. A reputation for being able to write great ads makes an enormous difference in your bank account. But only if you get paid according to the growth of the businesses you write for.

Did you notice that I ended that sentence with a preposition? A pedantic will tell you that I should have said, “But only if you get paid according to the growth of the businesses for whom you write ads.” But I chose not to do that. If you can tell me why, you might have the makings of an ad writer.

Do you have a friend who reads the books of the world’s most famous authors?

If you say, “Call me Ishmael,” and your friend says, “Moby Dick,” your friend has the ingredients to bake a wordcake.

Say to your friend, “Two roads diverged in a yellow wood.”

If your friend says, “Robert Frost,” he or she has the ability to lead people to places they have never been.

Say, “The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.”

If your friend looks at you and says, “Tom Robbins died last month,” they definitely have the makings of ad writer.

“As you read, so will you write.”

If the cadence and rhythm and unpredictable phrases singular to poets, screenwriters and novelists are echoing in your brain, your mind will spew rainbows of words like ocean water from the blowhole of a whale.

Luke records Jesus as having said, “Out of the abundance of the heart, the mouth speaks.” If you want to know what is inside a person, listen to what they say and read what they write.

The minds of great writers are filled with the music of other great writers. Music cannot flow from your fingertips if it does not live in your mind.

I don’t mean to be unkind, but most writers have no music in their mind.

Tom Robbins told NPR in 2014, “I would tell stories aloud to himself, but always out in the yard with a stick in my hand. I would beat the ground as I told the story. And we moved fairly frequently. We would leave houses behind where one section of the yard was completely bare from where I had destroyed the grass. But I realized much later in life that what I was doing was drumming. I was building a rhythm. Even today as a writer I pay a lot of attention to the rhythm in my work.”

When Tom Robbins died, hypnotic passages from his bestselling novels were quoted by NPR and The New York Times in their eulogies of his life.

Character dialogue written by Aaron Sorkin is the standard by which all screenwriting is judged. Aaron says, “It’s not just that dialogue sounds like music to me. It actually is music. Anytime someone is speaking for the purpose of performance, whether they’re doing it from a pulpit in a church, whether it’s a candidate on the stump or an actor on a stage, anytime they’re speaking for the purposes of performance, all the rules of music apply.”

The workload of my 81 Wizard of Ads partners will soon be at maximum capacity.

I am looking for brilliant ad writers. Between now and the end of the year I will onboard a small group of writers who are worth a lot more money than they are currently being paid. They will attend the partner meeting this autumn.

Selection, orientation, and enculturation requires diligence and patience on both sides.

Our journey will begin when you send exactly 12

Twenty-four thousand men were crowded into Knockaloe Interment Camp in 1914 because they had been found guilty of being in the wrong place, at the wrong time, with the wrong last name.

Tightly confined behind barbed wire, those men grew increasingly weak, feeble, stiff and awkward until a man named Joseph was shoved through their gate on September 12, 1915.

He gave his fellow prisoners strength, stamina, flexibility and grace.

They never forgot him.

When the war was over and those men were released, Joseph boarded a ship for America. While onboard that ship, he fell in love with a woman named Clara who was also headed to America. When they arrived in New York, Joseph and Clara opened a studio on 8th street that would send ripples across the world.

The rest of this story is about how those ripples became a wave.

George Balanchine sent his ballet dancers to Joseph on 8th street to gain strength, stamina, flexibility and grace.

Martha Graham sent her modern dancers to Joseph on 8th street to gain strength, stamina, flexibility and grace.

The best dancers on Broadway went to Joseph on 8th Street to gain strength, stamina, flexibility and grace.

George Balanchine became known as “The Father of Modern Ballet.”

Martha Graham is shown in Apple’s famous “Think Different” video as one of the 17 people that Steve Jobs felt had changed the world.

Broadway, Ballet, and Modern Dance were lifted to new heights.

When those ripples from 8th Street reached California, the “Golden Age of Hollywood” began.

Gene Kelley danced with a light post and sang in the rain to the thundering applause of America.

Slim, elegant, and incredibly strong, Fred Astaire did impossible things effortlessly.

Ginger Rodgers did exactly what Fred did, but backwards and in high heels.

A young man was known for his slogan, “Float like a butterfly, sting like a bee.” He brought strength, stamina, flexibility and grace to the world of boxing.

Like Martha Graham, this young boxer was chosen to appear in Apple’s famous “Think Different” video as one of the 17 “crazy ones” who changed the world.

He had been the heavyweight champion of the world for 5 years when a 10-year-old boy named Michael elevated dancing to an even higher place with the help of his 4 older brothers. Those 8th Street ripples of strength, stamina, flexibility and grace had splashed back from the California coast and were now rippling through Motown.

Charles Atlas and Joseph Pilates were born one year apart and lived an almost identical lifespan.

Charles Atlas gave men bulging biceps that other people could admire.

Joseph Pilates told us how to gain the strength, stamina, flexibility, and grace to do whatever we want to do.

What do you want to do?

– Roy H. Williams

PS – Joseph loved Clara until the day he died.

Are your employees happy to follow you, or do they avoid you like a skunk at a garden party? Phillip Wilson says the more accessible you are as a leader, the more your business will thrive. But when leaders create a gap between themselves and their employees, they lose top talent and nudge workers toward unionization. Listen in as the famous Phillip Wilson explains to roving reporter Rotbart why “Approachable Leadership” is the only elevator that can lift employee morale, productivity, and retention. The button has been pressed and this elevator is about to up-up-up! But we’re holding the door open for you, hoping that you’ll join us at MondayMorningRadio.com