Showing titles in African

Trois femmes, trois histoires, trois destins liés. Ce roman polyphonique retrace le destin de la jeune Ramla, arrachée à son amour pour être mariée à l'époux de Safira, tandis que Hindou, sa sœur, est contrainte d'épouser son cousin. Patience ! C'est le seul et unique conseil qui leur est donné par leur entourage, puisqu'il est impensable d'aller contre la volonté d'Allah. Comme le dit le proverbe peul : "Au bout de la patience, il y a le ciel." Mais le ciel peut devenir un enfer. Comment ces trois femmes impatientes parviendront-elles à se libérer ?

A new century, and a time of celebration, for family, marriages and children, and a necessity to expand the business. It is also a time for sadness, suffering and loss; Mother Africa does not change her rules for anyone. When all is against the Langbourne brothers, a higher loyalty must prevail.

Kayo Chingonyi's remarkable second collection follows the course of a 'blood condition' as it finds its way to deeply personal grounds. From the banks of the Zambezi river to London and Leeds, these poems speak to how distance and time, nations and history can collapse within a body. With astonishing lyricism and musicality, this is a story of multiple inheritances—of grief and survival, renewal and the painful process of letting go—and a hymn to the people and places that run in our blood.

Whether or not we realize it, affirmations are already part of our daily dialogue with others and with ourselves. Whatever we speak, proclaim, or declare is coming from a place of belief and acceptance, that what we have said already is, or will be so. Unfortunately, not all of our affirmations are positive, and over time we get stuck into habits of affirming in our lives the very things we do NOT desire.

From Malawian storyteller Upile Chisala comes a collection of poetry and prose exploring the self, joy, Blackness, gender, matters of the heart, spirituality, the experience of Diaspora, and above all, how we survive. Told in five parts, soft magic is a shared healing journey.

Laurel Sibanda is a Zimbabwean-British writer and poet currently living in Southeast England. She holds a Bachelor of Arts degree in English with American Literature. This is her first poetry collection, exploring identity, mental health, generational trauma, and her relationship with poetry.

Eine Road-Novel über die Phantome der Vergangenheit, über Scham und über Wut und darüber, was es bedeutet, bei sich zu sein. Adikous Herkunft ist verschwommen, die Spuren ihrer Familiengeschichte sind verwischt, sie weiß nicht einmal, wie man ihren Namen richtig ausspricht. Dann, in einem drückend heißen Sommer, hält sie es in Paris nicht mehr aus. Adikou fliegt nach Lomé, Togo, dem Herkunftsort ihres Vaters, den sie nicht kennt.

The author spent several years as an assistant district officer among the Yorubas in Nigeria, and was thus enabled to collect the folklore contained in this book from native sources. The reticence of the natives on religious subjects made it necessary to piece much together from incantations and chance remarks, but it is hoped that the notes will show that no great liberty has been taken with the beliefs of a tribe which inhabits a large area in West Africa.

Collective Amnesia: The Audio Experience is the marriage of sound, poetry, music, and theatre making, a storytelling experience for the ears, transporting the listener from their reality into the worlds of the poems.

Professor Hakim Adi draws on a variety of published works in Black Voices on Britain, all of which describe powerful experiences: James Gronniosaw and his family endure poverty, illness and unemployment; Mary Prince is driven out by her cruel owners and turns to London charities for help; Frederick Douglass, on a lecture tour around Britain, reveals how the Christian clergy built churches with slave-owners’ money and William Wells Brown gives his impressions of England as he travels around a country which welcomes him more readily than America.

Nnu Ego, filha de um grande líder africano, é enviada como esposa para um homem na capital da Nigéria. Determinada a realizar o sonho de ser mãe e, assim, tornar-se uma "mulher completa", submete-se a condições de vida precárias e enfrenta praticamente sozinha a tarefa de educar e sustentar os filhos. Entre a lavoura e a cidade, entre as tradições dos igbos e a influência dos colonizadores, ela luta pela integridade da família e pela manutenção dos valores de seu povo.

Avec pour toile de fond les bouleversements politiques du Nigeria des années 1980, le portrait inoubliable d'une femme qui fait le choix de la liberté... envers et contre tout. Yejide et Akin vivent une merveilleuse histoire d'amour. De leur coup de foudre à l'université d'Ifé, jusqu'à leur mariage, tout s'est enchaîné.

Free-spirited innocence meets the dark and mysterious in this interracial romance. When Rain Handa's visa to join her fiancé in the UK is denied, she accidentally bumps into the visa officer, Darien Mitchell, who denied it. He is cocky and unapologetic. Her angry reaction to him is expected. What she doesn't see coming is the chemistry that surges between them. He is dangerous, and not just because falling in love with him would be stupid on a good day. He is dangerous because she is a good girl, trying to follow all the laws of life and he is the complete opposite.

Behind Enemy Lines is a collection of stories about ordinary people and anti-heroes dragged into a search for meaning in their lives - whether it is a simple search for identity and love or a bigger struggle for Africa's political freedom. The canvas of their actions, motivations, and circumstances is a Zimbabwe of the past, present, and future. Humorous, acerbic, funny, and tragic, the stories cover the whole gamut of emotions.

The first genocide of the 20th century, though not well known, was committed by Germans between 1904-1907 in the country we know today as Namibia, where they exterminated thousands of Herero and Nama people and subjected the surviving indigenous men, women, and children to forced labor. The perception of Africans as subhuman - lacking any kind of civilization, history, or meaningful religion - and the resulting justification for the violence against them is what author Elizabeth R. Baer refers to as the "genocidal gaze", an attitude that was later perpetuated by the Nazis.

Kamali Danladi has sworn never to get married again. But his meddling mother is bent on hitching him to any eligible female that comes along to the next family gathering. There's only one thing for it. Get fake-hitched to his executive assistant. If anyone is more averse to marriage than he is, it's her. So they'll be perfect together. Or at least, they'll fake perfect together. Ebun Forson doesn't do families. She certainly doesn't do festivities.

Als sein kleiner Bruder verschwindet und alles darauf hindeutet, dass er die gefährliche Reise nach Europa angetreten hat, macht sich Ibrahima auf die Suche.

Named after the first man at the creation of the world in Malagasy mythology, Ietsy Razak was raised to perpetuate the glory of his namesake and expected to be as illuminated as his Great Ancestor. But in the chaos of modernity, his young life is marked only by restlessness, maddening insomnia, and an adolescent apathy.

Learning to kick a football in a suburban schoolyard. Finding your feet as a young black dancer. Discovering your grandfather’s poetry. Meeting Nelson Mandela at your local church. Facing racism from those who should protect you. Dreading a visit to the hairdresser. House-hopping across the suburbs. Being too black. Not being black enough. Singing to find your soul, and then losing yourself. Welcome to African Australia. Compiled by award-winning author Maxine Beneba Clarke, with curatorial assistance from writers Ahmed Yussuf and Magan Maga.

In the early 1850s, Henry David Thoreau took many meditative walks along the coast. In Cape Cod he reflects on these beach-combing trips and the powerful forces of the sea.