Showing results by narrator "Mitchley Richard" in All Categories

In the Scottish canon, to be placed alongside Burns is high praise indeed, but it’s a rightful place for Robert Louis Stevenson, one of Scotland’s finest novelists. Born in 1850, he crammed much into his 44 years travelling widely to France, the United States, Samoa, and the South Seas. Of course he is widely feted for his classics Dr. Jeckyll & Mr. Hyde, Treasure Island, and poetry volumes such as A Child’s Garden Of Verses. Here we have his short stories "Olliah" and "The Body Snatchers".

Tris Catt leads a double life. He appears to be an ordinary boy but in his fantasy life he is also an alien superhero. The underrunners near his home are an important part of his secret life, secret tunnels known only to him. Unexpectedly Tris’s imaginary world is invaded by a girl, Winola. She is strange but gutsy, and so good at joining in his invented game that Tris doesn’t take seriously the menacing character who she claims is after her - at least, not until they are caught up in a dangerous situation which threatens both their lives...

Toby Tucker is an orphan with a secret. He owns a chest filled with torn paper, and a strange message: Piece your family tree together and you'll find out who you are and when you come from. When he manages to put together a name, the most incredible magic happens. Toby travels back in time and becomes his ancestor! This time he is plunged back to ancient Greece, into Titus's life, where he finds himself dodging the donkey doo.

Digory is a sweet boy, although he doesn't exactly appreciate the same things as his rambunctious brothers or blacksmith mother. He likes playing the flute, thinking interesting thoughts, and writing silly songs. But all this changes one day when Digory discovers a dragon's tooth in the forest. When he returns to the village to show off his treasure, everyone assumes Digory slayed a dragon! Can Digory still be a normal, non-dragon-slaying boy now that he's been mistaken for a hero?

Rudyard Kipling: great Victorian, great writer of empire, great man. From The Jungle Book to The Man Who Would Be King to a great and voluminous body of poetry, featuring works of the calibre of "If" and "On The Road To Mandalay", here shows us another facet of his truly incredible talent: ghost stories. Collected for your listening pleasure are a selection of chilling, disturbing, but always entertaining stories from a man at the top of his craft and always aware of his effect on the minds of us mere mortals.

For much of history women have been seen rather than heard. Their thoughts, their views, have lain too long in the shadows of our culture. Whilst this traditional view has some merit it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.

Benjamin 'Ben' Jonson was born in June 1572. A contemporary of William Shakespeare, he is best known for his satirical plays Volpone, The Alchemist, and Bartholomew Fair and his equally accomplished lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.

Herbert George Wells was born on September 21st, 1866 in Bromley in Kent. He was the youngest of four siblings and his family affectionately knew him as ‘Bertie’. The first few years of his childhood were spent fairly quietly, and Wells didn’t display much literary interest until, in 1874, he accidentally broke his leg and was left to recover in bed, largely entertained by the library of books his father regularly brought him. Through these Wells found he could escape the boredom and misery of his bed and convalescence by exploring the new worlds he encountered in these books.

At some point in our lives we believe that creak, that low moan, that whisper is something unnatural, beyond our comprehension. And in these stories our instincts are right. We are afraid. And we should be. Perhaps even terrified. In this volume our classic authors take different approaches, but the result is inevitably the same. We are hooked by these unknowable forces, our emotions heightened and rattled by the expectation - or shock - of the next few words.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

Wilkie Collins was born on 8th January 1824 in Marylebone, London. He pursued his education at Mr Cole’s private boarding school in Highbury, Islington. Here, he began his literary career under unusual circumstances: the school bully would give him no peace until he had been told a bedtime story. This ‘little brute’ helped create one of England’s greatest writers.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

January - the first month of the year in the Gregorian calendar ushers in the New Year. the cold and bleak landscape of winter nevertheless provides a rich background for our esteemed poets, such as Byron, Longfellow, Cowper, and Dickinson, to offer us their reflections and counterpoints.

February - the second month of the year in the Gregorian calendar brings not only the shortest month but, for lovers everywhere, Valentine's Day. On this and other themes, our poets, including Nesbit, Teasdale, and Coleridge, have much to say.

March - the third month of the year in the Gregorian calendar brings with it the Spring Equinox and the promise of warmer days and shorter nights. Our selected poets, including Swift, Yeats, Morris, Swinburne, and Austin, of course provide the words to match the mood.

English Poetry, Volume 2 – An Introduction. The English language has grown into the Worlds pre-dominant spoken language. It’s estimated there are over one million words with which to do this. Its sources are rich and diverse, absorbing from other cultures and times without hesitation.

Keats. A short life but a legacy of works that few, if any, can rival. And of course his end was to be tragically Romantic. Keats was returning one night to his home in Hampstead when he coughed. He coughed a single drop of blue blood upon his hand and said, ‘I know the colour of that blood, it is arterial blood, it is my death warrant, I must die’. And so it was that tuberculosis took its slow, devastating hold.

One of the greatest of English poets, Edmund Spenser was born in East Smithfield, London, in 1552 and went to school at Merchant Taylors' School and later at Pembroke College, Cambridge. In 1579, he published The Shepheardes Calender, his first major work. Edmund journeyed to Ireland in July 1580, in the service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. His time included the terrible massacre at the Siege of Smerwick. The epic poem The Faerie Queene is acknowledged as Edmund’s masterpiece.