Showing results by narrator "Clémence" in All Categories

In the cattle drives of the Old West, pumpkin rollers were green farmboys, almost more trouble than they were worth. When Trey McLean leaves his family's East Texas cotton farm and sets off on his own to learn the cattleman's trade, he's about as green as they come. But Trey learns fast. He learns about deceit when a con man cheats him out of his grubstake and about love when he meets the woman he's destined to marry.

No one wants you to tamper with a legend, especially by telling the truth. So begins the story of a proud man named Thomas Canfield. He is descended from the earliest Texas pioneers and has inherited their courage and fortitude. To the Mexican citizens of Stonehill, Texas, he is “El Gavilán” - the Hawk - so called for the fire in his eyes, especially when confronted by the likes of Branch Isom. This insolent, dangerous newcomer intends to build his fortune at Canfield’s expense but underestimates his opponent.

In Phoenix, a sheriff guns down a banker and robs him of a document. Going to the banker's aid, a witness hears the dying man's last words and takes hold of the map the sheriff was really after. By the time the crooked lawman realizes he has the wrong document, Jolene Wellington is on the run - and framed for the murder of the banker.

Falcon MacCallister never thought he’d wear army brass. But Colorado is about to join the Union — and the would-be state has just made him Lt. Colonel in its Home Guard. Then, before his military career can take off, Falcon loses one of his men and two deadly new Gatling guns to a murderous ambush. Falcon is going to get those Gatling guns back — before they kill the wrong people.

Cuno Massey may be a federal fugitive, but he’s Deputy US Marshal Spurr Morgan’s best chance to run down a gang of gunrunners. A wagon train of rifles, ammunition, Gatling guns, and dynamite was stolen by US Cavalry deserters who intend to sell the weapons to a Mexican general waging war against Yaqui Indians. To even the odds against them, Cuno and Spurr form an alliance with Ojos de Fuega — “Fire Eyes” — a Yaqui queen as savage as she is beautiful, and her band of renegades.

Yuma Prison is a fetid hellhole filled with the dregs of humanity — killers, thieves, and backstabbers who'd kill over a scrap of meat. Now it's home to Frank Morgan, who's posing as an inmate. A ruthless outlaw named Cicero McCoy has buried a fortune in stolen bank money in a harsh, desolate little piece of hell known as Ambush Valley. To get Cicero to lead him to the loot, Frank has become Cicero's new best friend behind bars — and co-plotter of a daring breakout. Until the time comes for Frank Morgan to make a fatal choice — and for one of them to die....

They ride after sundown. Black robed figures with skulls for faces, terrorizing the town of Recoil like the horsemen of the Apocalypse. If the sheriff hopes to defeat this hellish band of outlaws, he'll need back-up. Enter Colonel Shamus O'Brien. The seasoned ranch hand and patriarch has fought off more than his share of horse thieves and marauders. But he's never seen anything like these ornery devils.

Londres, années 1990. Hannah, Cate et Lissa sont trois jeunes amies ambitieuses et inséparables, portées par le vent de rébellion qui souffle sur le monde. Mais les années passent et, à trente-cinq ans, aucune ne se sent accomplie et chacune jalouse ce que les deux autres semblent posséder : mariage, carrière ou indépendance. Qu'est-il arrivé aux femmes qu'elles pensaient devenir ? Avec un talent immense et beaucoup de justesse, Clémence Poésy explore l'identité féminine sous toutes ces facettes à travers le portrait de ces trois héroïnes poignantes.

Sois gentille, dis merci, fais un bisou est le portrait, par elles-mêmes, de femmes ordinaires aux destins extraordinaires : juste parce qu'elles ont décidé de faire ce qu'elles voulaient. Parce qu'on arrive à rien, dans la vie, en étant juste une gentille fille qui dit merci et qui fait des bisous sur demande. C'est pas parce qu'on a été éduquées à être des petites filles sages qu'on est condamnées à rester des images.