Showing results by author "Lawrence Block" in All Categories

I wrote three paperback original novels for Berkley under the pen name Jill Emerson, two of them in diary form, the third a presumed collaborative novel written in concert by the three viewpoint characters. These were fun to do and worked out well, and they led to Ronald Rabbit Is a Dirty Old Man. I riffed on the experience of my friend George Dickerson, who, like the novel's protagonist, had the magazine he was editing folded out from under him.

The conclusion of Hit and Run found Keller living in a big old house in post-Katrina New Orleans' Lower Garden District, with a new name (Nicholas Edwards), a new wife (Julia), a new career (rehabbing houses), and a baby on the way. It certainly looked as though he was done killing people for money. But old habits die hard, and when the economic downturn knocked out the construction business, a phone call from Dot draws him back into the old game.

Matthew Scudder is about to face every cop's worst nightmare: James Leo Motley, psychopath extraordinaire. Twelve years ago Matthew Scudder lied to a jury to put James Leo Motley behind bars. Now the ingenious psychopath is free, and the alcoholic ex-cop turned private investigator must pay dearly for his sins. Friends and former lovers - even strangers unfortunate enough to share Scudder's name - are turning up dead because a vengeful maniac is determined not to rest until he's driven his nemesis back to the bottle…and then to the boneyard.

In this brand-new novella, Keller, everyone's favorite assassin for hire, is Chicago-bound on Amtrak's City of New Orleans, ready to do what he does best. But it's complicated. Usually there's someone ready to point him toward the target. Or he'll have a photo, say. Or, bare minimum, a name and address. Not this time. When he gets to Baker's Bluff, Illinois, he'll have to play private detective before he can get down to business. Well, okay. He knows how it works. So before he even packs his suitcase, Keller buys a fedora.

After appraising the worth of a rich man's library—conveniently leaving his fingerprints everywhere in the process—Bernie finds he's the cops' prime suspect when his client is murdered.

Five-time Edgar winner and MWA grand master Lawrence Block wrote a monthly column for the Writers Digest magazine for 14 years. The Liar's Bible consists of previously uncollected columns, chosen to illuminate the often dimly-lit path of the writer of fiction.

This is a city that seduces dreamers - then eats their dreams. Matthew Scudder understands the futility of his search for a longtime missing Midwestern innocent who wanted to be an actress in the vast meat-grinder called New York City. But her frantic father heard that Scudder is the best, and now the ex-cop turned private investigator is scouring the hell called Hell's Kitchen looking for anything that might resemble a lead. And in this neighborhood of the lost, he's finding love - and death - in the worst possible places.

Ever since a shred of shrapnel did a number on his brain's sleep center, Even Tanner has been awake 24/7. This gives him more time than your average underachiever. Time to learn the world's languages (he's fluent in Basque, but has trouble with Chinese). Time to embrace the world's lost causes and irredentist movements (The Flat Earth Society, the League for the Restoration of Cilician Armenia, the Society of the Left Hand). Time to write term papers theses for students with more money than knowledge.

From the revered The New York Times best-selling author comes a touching, insightful, and humorous memoir of an unlikely racewalker and world traveler. Lawrence Block is the author of bestselling novels featuring unforgettable characters such as the hit man Keller, private investigator Matthew Scudder, burglar Bernie Rhodenbarr, and time traveler Evan Tanner. But much before he became an author, he was a walker.

You might as well know this going in: Lawrence Block's new novel is not for everyone. It's recounted in journal form by its protagonist, and begins when he walks into a roadhouse outside of Bakersfield, California, and walks out with a woman. And rapes and murders her. But, um, not in that order. Right. But it's what he does with the rest of his life that's really interesting....

Battling the bottle one day at a time, ex-cop, sometime PI Matthew Scudder finds that next to staying sober, staying alive seems easy. But in the mean streets of New York City it never is. Not for the prostitute who wanted out and got her beautiful self slashed to ribbons. Not for a pimp named Chance who is betting his life that the broken-down detective can find her murderer. And not for Matthew Scudder - just trying to stay alive in a city that knows nothing better than how to die.

A deranged, derelict, crazed Vietnam vet has been arrested for gunning down successful young lawyer Glenn Holtzmann at a corner phone booth on 11th Avenue—and the suspect's brother wants unlicensed private investigator Matthew Scudder to prove the madman innocent. But Scudder's curiosity and dedication are leading him to dark, unexplored places in his own heart…and to passions and secrets that could destroy everything he loves. In this unmerciful metropolis, no one is truly innocent—including Matthew Scudder.

“She was just a little freshman / Victim of Admission’s whim / Then she met an upperclassman—we won’t name him— / And she had a child by him. / Now he’s off in New York City / Rescued by the co-op plan. / While she walks the streets of Yellow Springs, Ohio, / Looking for another man.” Ah, they don’t write ‘em like that anymore, and it’s not hard to see why. And the sad story recounted in the song is not entirely unlike that of Linda Shepard, titular (so to speak) heroine of Campus Tramp.

Lawrence Block's 17 Matthew Scudder novels have won the hearts of readers throughout the world - along with a bevy of awards including the Edgar, the Shamus, the Philip Marlowe (Germany), and the Maltese Falcon (Japan). But Scudder has starred in short fiction as well, and it's all here, from a pair of late-'70s novelettes ("Out the Window" and "A Candle for the Bag Lady") through "By the Dawn's Early Light" (Edgar) and "The Merciful Angel of Death" (Shamus), all the way to "One Last Night at Grogan's", a moving and elegiac story never before published.

So this girl walks into a bar…and when she walks out there’s a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She’s been doing this for a while, and she’s good at it. And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her.

In A Woman Must Love, Barbara, a young widow, has vowed to be true to her husband’s memory (even though he’d wished otherwise). She’s courted, and she has a couple of adventures.

Since the 1970s, Lawrence Block has been writing award-winning novels and short fiction featuring Matthew Scudder. Now, with both himself and his detective half a century older, the author found himself charged with writing a book about his protagonist. And he decided he wasn’t the right person for the job.

Edgar Award-winning author Lawrence Block has been named a Mystery Writers of America Grand Master. A Drop of the Hard Stuff continues Block’s popular series starring New York private detective and recovering alcoholic Matthew Scudder. Scudder is already struggling with his sobriety when his friend and fellow AA member Jack Ellery is found murdered. Now the only thing keeping Scudder from the bottle is his obsession with finding the culprit.

Here's the book that started it all: A Girl Called Honey - and if listening to the saga of Honor Mercy Bane brings you a small fraction of the fun we had writing it, you'll be back right away to scoop up So Willing and Sin Hellcat.

Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand - some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen.