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Sir Walter Raleigh (1552 - 1618) was one of the most prominent political figures in the Elizabethan era. He was also a soldier, explorer, and prolific author. Although, like John Donne, Raleigh did not primarily consider himself a poet, he left a small collection of verse, notable for its pithiness and mordant wit. This collection includes 21 of the most popular poems attributed to Raleigh.

Unlike many of his contemporaries, the English poet Francis Thompson (1859-1907) was a true mystic. While more celebrated poets, like Wordsworth, Tennyson, and Arnold, were content to express their religious leanings in traditional devotional formulae, Thompson strove to portray the divine directly, in all its terrifying majesty. In this way he is more akin to earlier masters, like Henry Vaughan and George Herbert, than to the poets of his own day.

Duke Vincentino, the ruler of Vienna, fears that under his mild sovereignty, the people may have become lazy and lax. He decides to “go over cover” in the disguise of a monk and appoint his deputy, Angelo, who is a reputed paragon of virtue, as temporary ruler. On assuming power, Angelo inaugurates draconian provisions regarding sexual propriety. One of the first victims of this new regime is young Claudio, who has impregnated his lover Juliet, and is accordingly sentenced to death.

This is the first of Tennyson's poems to be based on Sir Thomas Malory's Morte d'Arthur. The first draft was composed in 1834, and the finished work was published in Poems (1842). Later Tennyson incorporated the poem into the Idylls of the King (1870) under the title of "The Passing of Arthur". The narrative of this poem was drawn from the third, fourth, and fifth chapters of the 21st book of Thomas Malory's romance.

This collection arguably contains some of the most charming lyrics ever written in English. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published.

Amongst all the figures in the history of Western art forms, Beethoven is one of the most radical and influential. Not only did he produce some of the most celebrated and recognizable music of all time, but his influence dramatically accelerated the development of musical composition. He was instrumental in raising the status of the composer from that of a court servant to one of an independent artist.

The Tragical History of Doctor Faustus is one of the earliest and most compelling presentations of the story of a man who sold his soul to the Devil. It is based on the popular history of Johann Georg Faust (1466–1541) a German chemist and magician, allegedly perished in an explosion during an alchemical experiment. In the theologically charged world of early reformation Germany, a report spread that his violent death was a demonstration that the devil had come to collect his soul. The legend spread quickly and has formed the basis of many later literary and dramatic works.

Young Cedric lives with his widowed mother in New York. His late father was a British earl who had been disowned by his father for marrying an American. As all of the earl of Dorincourt's sons have now died, he begrudgingly looks to Cedric as his sole heir. While the earl soon comes to love the endearing little Cedric, conflict arises when a strange woman appears on the scene and insists that her son is the true heir.

Baudelaire’s most famous collection of poems is The Flowers of Evil, which was published in 1857 and which was widely condemned as being unwholesome and decadent. The publication actually led to Baudelaire being prosecuted on a charge of offending public morals. There have been numerous translations of Baudelaire’s work into English, but many of them have been judged as not being particularly successful. Strum’s version of The Flowers of Evil is unusual and notable for its accuracy in capturing the elusive appeal of the originals.

The novel opens with Mr. and Mrs. Parker’s visit to Sanditon, a village on the coast of Sussex. Sanditon is being developed into a bathing-place under the patronage of the two principal proprietors of the parish, Mr. Parker and Lady Denham. Mr. Parker suffers an injury and receives assistance from a local farmer, Mr. Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors: Lady Denham’s foppish son, Sir Edward; Mr. Parker’s devil-may care brother, Sydney; and Arthur, who is an unemployed hypochondriac.

Headlong Hall was the first of his seven novels, all of which display the same structure. There is a faint semblance of a plot, which is merely a device to bring together a bunch of voluble eccentrics, who converse on a wide range of topical issues. Headlong Hall is the rural seat of the ebullient Squire Headlong, who invites a number of philosophers, a clergyman, a musician, a novelist, and a phrenologist, to dine with him and share their views.

Manly Palmer Hall was a lecturer and author, whose particular interest was in arcane spirituality and esoteric religious traditions. He was associated with a number of universalist religious groups, like the Rosicrucians, and, in later life, the Freemasons.

Thomas Love Peacock was a linguist, scholar and East India Company official. He had a wide circle of literary friends, including Coleridge and Shelley, and his early works were poems, some of a considerable length. In 1815 his first novel, Headlong Hall, was published, and between that year and 1831, he published a further five novels. His final completed novel, Gryll Grange, was written in 1860 and published the following year. Peacock also produced a number of articles on literary and historical subjects, and some other long poems, which have faded into obscurity.

Together with the Iliad, the Odyssey, The Divine Comedy and Paradise Lost, the Aeneid is one of the true monuments of world literature. Like all these great classics, over the centuries it has become stultified by academic formalism, and its true glory as a narrative of thrilling power and richness has become very much obscured. This new translation seeks to highlight the vigor and immediacy of Virgil's epic while still respecting the grandeur of the original language.

The story of the adventures of the mythical hero Gilgamesh is the most considerable literary production that has come down to us from ancient Babylonia. Unfortunately, it was not preserved in complete form. This recording is of the fullest translation which had yet been issued in English when it was first published in 1917.

Better known in the English-speaking world simply as Rúmi, Jalálu'd-Din Muḥammad Balkhi (1207-1273) was a Persian scholar, theologian, and poet. After Omar Khayyam he is probably the most celebrated classical Persian poet and his luminously spiritual verse has been the subject of many notable English translations.

Alexander Pope was celebrated for his command of classical Greek and produced seminal translations of the Iliad and the Odyssey. Prior to the preparation of these translations, Pope took advantage of his mastery of the classical style and also his waspish wit to compose a burlesque epic about the theft of a lock of hair. The incident that inspired Pope was related to him by his friend John Caryll. Lord Petre had cut off a lock of the hair of Arabella Fermor, whom he was courting at the time, without asking the lady's permission.

Although unfamiliar with the Persian language, the eminent English poet and critic Richard le Gallienne had a profound interest in the Rubaiyat of Omar Khayyam. In 1901 he published a collection of 261 quatrains, which was based on earlier English translations, in particular the prose version by Justin Huntly McCarthy. In his introduction, Le Gallienne suggests that his ignorance of Persian was in fact an advantage as it allowed him to focus on producing good poetry rather than merely an accurate translation.

The Wonderful Visit tells the story of an angel who finds himself unexpectedly marooned on Earth. Wells used John Ruskin's remark that an angel appearing on earth in Victorian England would be shot on sight as the inspiration for this tale of a celestial being who is completely out of place in human society. Ironically, the angel's first confidant and protector is a clergyman, who never recovers from the eventual and inevitable disappearance of the angel. Wells dwells in detail on the contrast between the idealism of the celestial visitor and the discourtesy of his hosts.

Accusation is the unperceived catalyst for this dramatic narrative; Job is framed by the accusation that his self-invested allegiance to God will evaporate if he is exposed to adversity. Job is unaware that this wager against his integrity has taken place. The drama that ensues on an epic scale resonates with universal experiences of human suffering - from Job's searching questions, to the grating interventions of Job's friends, and the sense that human misfortune can seem contingent on the whim of unseen powers.