Modern Hook

Millions of pounds have gone missing, and the Department have sent agent Bernard Samson to Washington to track them down. But this mission is just the start of something far deeper and darker. It will take him from the English suburbs to Berlin, the South of France to Los Angeles and the heart of a maelstrom. In the first part of the Hook, Line and Sinker trilogy, friends become enemies, pursuer becomes victim and no one - not even Bernard himself - is above suspicion.

It's not the dead body - Jack Leightner has seen hundred of bodies in his tour with the NYPD. It's not the dank setting - the narrow banks along Brooklyn's Gowanus Canal. So why does the sight of the fatally stabbed young man make the detective almost faint in the canal's tangled weeds? Jack doesn't understand why he becomes obsessed with this low-priority case, why he allows it to jeopardize his career and even his life. Especially since the investigation draws him exactly where he doesn't want to go: into the heart of Red Hook.

Modern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Philip Hook illuminates how this new art came to be—and how truly shocking it was. We witness movement upon movement that burst forth in dizzying succession: Fauvism, Expressionism, Primitivism, Symbolism, Cubism, Futurism, and Abstract. His vivid accounts breathe new life into the work and times of nearly two hundred artists, and whose collective genius was understood and appreciated by few at the time.

In most colleges today, sex has become another form of recreation that you fit into your schedule, like studying or exercising. Sex at First Sight explains how the hookup has come into being, how pornography is a major factor influencing a student's view of sex, and how this new perspective on sexuality is impacting the lives and future sex lives of this generation of young people.