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Lord Byron's satirical take on the legend of Don Juan is a moving and witty poem that sees the young hero in a reversal of roles. Juan sheds his image as a womanizer and instead becomes the victim of circumstance as he is relentlessly pursued by every woman he meets. Comprising 17 cantos of rhyming iambic pentameter, the poem is a crisp and accessible meditation on the madness of the world.

Today Byron is regarded as the ultimate romantic - a rebel, a Casanova, and a man of intense, brooding passion. He was the most famous literary man of his time, and his poetry, endlessly witty and often insightful, was immensely popular and hugely influential. From the delicate romanticism of "She Walks in Beauty" to the evocative reflections of "So We’ll Go No More a Roving", Byron’s poems were unrivaled in their power and potency.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

Childe Harold's Pilgrimage is a fascinating portrait of 19th-century Europe - disillusioned and ravaged by the wars of the postrevolutionary and Napoleonic eras. Our protagonist, whose breathtaking journey eerily echoes Byron's own life story, forgoes his destiny back home for the exciting unknown - the nature of humanity and the transformative effects of travel burst through the pages in four powerful cantos of Spenserian stanzas. Here is the poem that set Byron on his meteoric rise to fame in London society.

A selection illustrating the breathtaking variety of Byron's poetry. Read by Linus Roache, star of the critically acclaimed film Wings of the Dove, this collection includes She Walks in Beauty, The Destruction of Sennacherib, The Vision of Judgment and selections from Childe Harold, The Corsair and Don Juan.

At the beginning of the 18th century, Newstead Abbey was one of the most prosperous and fashionable aristocratic homes in England. It was the abode of William the 4th Baron Byron - a popular and successful composer and artist - and his teenage wife, Frances. But only a few decades later, at the end of the century, the building had become a crumbling and ill-cared-for ruin.

George Gordon Byron was born in 1788, the son of the profligate 'Mad Jack' Byron, and succeeded to the title in 1798 moving to the family seat of Newstead Abbey. He attended Harrow School and Trinity College, Cambridge, where he proved to be a poor scholar, preferring boxing, the low life and poetry, publishing his first volume of poems in 1806. In 1809, at 21, he embarked on a grand tour of Europe and on his return to England he married the humourless Annabella Milbanke, who gave birth to his daughter Augusta in 1815.

Lord Byron’s very name conjures up visions of the Romantic movement and outlandishly dressed bohemians, for if Alfred, Lord Tennyson was the poetic darling of the masses, Byron was the hero of the hedonists. While the traditional English literary hero was a nobleman rescuing a damsel in distress, Byron created the antihero, a man plagued by self-doubt and hidden sorrow. At the same time, his hero was also capable of facing reality once he had wrestled through his own angst, and even of occasionally acting nobly in the great tradition of the author’s Puritan forebears.

1816. A massive volcanic eruption has caused the worst storms that Europe has seen in decades, yet Percy and Mary Shelley have chosen to visit the infamous Lord Byron at his villa on Lake Geneva. It wasn't their idea: Mary's eighteen-year-old step-sister, Claire Clairmont, insisted. But the reason for Claire's visit is more pressing than a summer escape with the most famous writers in the world. She's pregnant with Byron's child - a child Byron doesn't want, and scarcely believes is his own.

The epitome of the romantic literary hero, Lord Byron was as well known in his time for the revolutionary panache with which he lived as for his extremely popular verse. “As a myth,” wrote Bertrand Russell, “his importance, especially on the continent, was enormous.” His many tempestuous relationships were the subject of scandal which only added to his celebrity. His name has even entered into our language to describe a man of deep passion and defiance.

Byron was the ideal of the Romantic poet, gaining notoriety for his scandalous private life and being described by one contemporary as "mad, bad and dangerous to know". Here, Tyrone Power reads a selection of his finest work.

Byron's exuberant masterpiece tells of the adventures of Don Juan, a handsome and charming young man naturally gifted with the ladies. After his first illicit love affair at the age of 16 in his native Spain, he is exiled to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favorite of the Empress Catherine, who sends him on to England.

Conrad, the Corsair, is the chieftain of a pirate band, and plans to attack the Pacha, Seyd, and seize his possessions. Conrad's wife, Medora, prevails upon her husband to abandon his plan and remain at home. Confident in his plan and assured of his safe return, Conrad and his pirate crew set sail for the Pacha's island.

The story is of a female slave, Leila, who loves the Giaour, an infidel, and is in consequence bound, thrown in a sack, and drowned in the sea by her Turkish lord, Hassan. In revenge the Giaour kills Hassan, then in grief and remorse banishes himself to a monastery.

A collection of the greatest poetry from the Romantic period, read by some of the 20th century’s most renowned actors. Love, romance and portrayals of nature are played out in these timeless readings of poetry written during the Romantic period. Performed by Richard Burton, Peter Orr, William Squire, Richard Marquand, Peggy Ashcroft, Margaretta Scott, Tony Church, Derek Godfrey, Patrick Garland, Gary Watson and Janette Richer. This collection includes poems from: William Wordsworth, Samuel Taylor Coleridge, William Blake, Lord Byron, Percy Bysshe Shelley, John Keats.

El corsario es, ante todo, un poema autobiográfico que narra las aventuras de un tal Conrad, un corsario rechazado por la sociedad -no así por las mujeres- debido a su comportamiento escandaloso. El poema inmediatamente atrajo la atención del público debido a la personalidad arrasadora de Byron, incluso algunos adeptos a la estadística afirman que se llegaron a vender diez mil copias durante su primer día en la calle.

George Gordon Byron, 6th Baron Byron, but more commonly known as just Byron, was a leading English poet in the Romantic mMovement along with Keats and Shelley. Byron was born on January 22nd, 1788. He was a great traveller across Europe, spending many years in Italy and much time in Greece. With his aristocratic indulgences and flamboyant style, along with his debts and a string of lovers, he was the constant talk of society.

In this narrative poem, the Pacha, Giaffir, has decreed that his beautiful daughter, Zuleika, is to be married to the rich and elderly Bey of Carasman. She confesses her grief to Selim, her beloved half-brother. Selim entreats Zuleika to meet him in a grotto later that night, where he appears in pirate garb. He declares that they are not brother and sister, but cousins and reveals that Giaffir murdered his father, Abdallah.

Count Lara returns home after a long absence abroad. He is accompanied by a single page, the faithful Kaled. In his youth, prior to his travels, Lara had led a dissolute life. On his return he is much changed - haughty, reserved, and world-weary. Nothing is known of his life in the interim. During an evening function given by the Count Otho, a local magnate, the host's cousin, Sir Ezzelin, angrily confronts Lara with accusations of unnamed crimes abroad. Otho intervenes and an appointment is made for the following day for the local nobles to hear and judge the accusations.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 2 we bring you the classics 'Sohrab and Rustum' by Matthew Arnold, 'The Prisoner of Chillon' by Lord Byron, and 'Faithless Sally Brown' by Thomas Hood. They are read for you by the renowned actors Sean Barrett and David Shaw-Parker.