Coming Soon

This translation of The Iliad equals Fitzgerald's earlier Odyssey in power and imagination. It recreates the original action as conceived by Homer, using fresh and flexible blank verse that is both lyrical and dramatic.

Argán es prisionero de sí mismo. El terror a la muerte y el miedo a enfrentarse a la vida le tienen encadenado a su propio lecho, nada le importa, ni su familia, ni su mujer; es una persona cegada y egoísta, a la vez víctima y verdugo. Tan solo la astucia de Toñita, la criada, auténtico motor de la acción hará posible un desenlace donde triunfe el amor y queden en evidencia los intereses de las malas personas.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

Based on historical characters of the seventh-century Iranian court and written 850 years ago, the narrative poem about Khosrow and Shirin shares a shelf with the most intensely romantic classic stories readers love, from Tristan and Isolde to Layla and Majnun to Romeo and Juliet to Gatsby and Daisy.