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The boy Nero lives. His mother Agrippina has married her way to power, tangling the Emperor Claudius in her skirts. The emperor may have a son and heir of his own, but Agrippina sees no obstacles to her ambition. Rome is a path through a marsh, lit by torches. Those who walk it are always one step from disaster–and the road itself is treacherous, slippery with blood. Claudius may have the world at his feet, but he has Agrippina in his bed.

It begins with Thomas, the son of a Suffolk tradesman. A brilliant boy sent to study at Oxford at the tender age of eleven. It ends with a disgraced Cardinal, cast from the King's side and estranged from those he loves. In her groundbreaking new novel, Alison Weir draws out the inner man for the first time and tells his story. It is one of a scholar, a lover and a father, a rival, a politician and a priest. A man who built an empire in England while leading a secret second life, who paid the highest price for his success.

Es ist an der Zeit, die Frau kennenzulernen, über die wir in den letzten 300 Jahren hätten sprechen sollen: Dies ist die Geschichte von Anna Maria della Pietà. Venedig, 18. Jahrhundert: Die junge Anna Maria wächst in einem Waisenhaus auf, und als sie zum ersten Mal eine Geige in der Hand hält, verändert sich ihr Leben – denn für Anna ist die Musik mit allen Sinnen erlebbar, sie übertrifft alle Mitschülerinnen an Talent, Ehrgeiz und Willensstärke. Antonio Vivaldi nimmt sie schnell als Schülerin an, und gemeinsam spielen sie nicht nur Musik, sondern beginnen, zu komponieren.

Since dropping out of school three years ago with no qualifications, no pals, and no ambition, Jamie Skelton spends most of his days asleep and most of his nights wanking, playing video games with his online friend, Lee, and occasionally making the journey downstairs to the kitchen. When Fiona, Jamie's maw, tries to get Jamie to apply for a job, he sees her as the cause for all of his problems. Then Lee tells Jamie he's realised there's a name for what they are - incels - and that there's a guy he's met through the forums they can go stay with in London, to get away from their nagging mams.

Sister. Pawn. Liar. Traitor. Her words sent two queens to the scaffold. Her secrets shaped a kingdom. But her true story was hidden. Until now. Philippa Gregory brings the Boleyn traitor out of the shadows in a groundbreaking tale of love, betrayal — and survival.

1469. For almost ten years, Edward IV has ruled with the Earl of Warwick's support, but now rebellion threatens the fragile peace. Heiress Isobel Fenton is determined not to be separated from her beloved manor of Beaumancote. But as unseen witness to a summary execution, she is propelled into the world of personal feud and national politics. She's left in the protection of the formidable Earl, who has begun to foment rebellion, but is set to marry his enemy's heir, Thomas Lacey.

It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories. Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations.

Melding prose, poetry, imagined interviews and ephemeral photography, Ondaatje weaves together a lyrical reinterpretation of Billy’s short, infamous existence, forming a portrait of a young man, and a young country, borne out of violence, threaded through with disaster, yet rich in wonder.

Eighteen-year-old Mary Shelley has fled London with her lover, Percy Shelley, and her sister, Claire. Tormented by Shelley’s betrayals, haunted by the loss of their baby and suspicious of her sister’s intentions, Mary seeks a refuge. But Lord Byron’s villa, lying under ominous, ash-shrouded skies, feels more like a trap. When Byron suggests each guest write a supernatural tale, Mary is as drawn to the challenge as she is, unexpectedly, to Byron himself. And so an idea begins to form in her mind . . .

This is the story of three women - one an orphan and refugee who finds a place in the studio of a famous French artist, the other a wife and mother who has stood by her husband for nearly forty years. The third is his daughter, caught in the crossfire between her mother and a father she adores.

Based on a true story, Strandloper tells the extraordinary tale of a nineteenth-century Englishman, William Buckley, who was convicted and transported to Australia. Refusing to accept his fate he escaped and lived among the Aborigines for thirty years. In this visionary novel, Alan Garner is as true to William the Cheshire bricklayer and William the Aboriginal spiritual leader, as William is true to his fate. The result is extraordinary.

Each member of the family always responded in the same way whenever Désiré’s name came up. Father and Grandfather would say nothing at all. Mother would say a few words and then falter, ‘It's all very sad.’ So, each in their own way, no one seemed to have anything much to say. The truth was that in 1983 my uncle Désiré ran away from our village, in the South of France. And when he returned home from Amsterdam, he was addicted to heroin. And then he died. That was the truth, but not the whole truth . . .

A la mort de sa mère, découvrant les rites funéraires de ses origines, Farida se replonge dans son enfance, si loin de sa vie d'adulte. Les mots et les souvenirs se bousculent alors qu'elle raconte pour la première fois la vie de cette famille d'immigrés algériens : les HLM misérables, les hommes brisés par l'illettrisme et la colonisation, les mères pétrifiées. Au milieu, une fratrie élevée dans une violence inouïe mais soudée par le rire et la force de vie.

G.W. Pabst, one of cinema's greatest, perhaps the greatest director of his era: when the Nazis seized power he was filming in France, to escape the horrors of the new Germany he flees to Hollywood. But under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, who he made famous, can help him. And thus, almost through no fault of his own, he finds himself back in his homeland of Austria, which is now called Ostmark.

Based on the life of cornet player Buddy Bolden, one of the legendary jazz pioneers of turn-of-the-twentieth-century New Orleans, Coming Through Slaughter is an extraordinary recreation of a remarkable musical life and a tragic conclusion. Through a collage of memoirs, interviews, imaginary conversations and monologues, Ondaatje builds a picture of a man who would work by day at a barber shop and by night unleash his talent to wild audiences who had never experienced such playing. But Buddy was also playing the field with two women, and inside his head was a ticking time-bomb.

Am 4. Oktober 1957 erreichen die ersten Satelliten die Erdumlaufbahn. Kurz darauf erblickt in Westberlin Sputnik das Licht der Welt. Er wächst auf zwischen den Geschichten von Sala, der geliebten Mutter, die der Wirklichkeit ihre eigenen Bilder entgegenhält, und den Büchern des Vaters Otto. Schon früh wird ihm die Welt zur Bühne, alle scheinen eine Rolle zu spielen, und wie sonst sollte man das Leben begreifen? Als Jugendlicher dann die Flucht nach Paris: in die Welt der Literatur und zu Annie, die ihn Begehren, Liebe und Eifersucht lehrt.

Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac’s life—the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac’s fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London.

Sarah spends her time worrying about how she will be able to get a permanent academic position, and also doing ketamine and watching 80s movies with her best friend, Nathan. Nathan was the only person to believe Sarah when she was assaulted by a fellow student during her first year. Sarah reported it to the university and to the police, but nothing happened. 'He's such a good guy.' 'He wouldn't do that.' 'Were you drinking?' When Nathan is found dead of an alleged heroin overdose, Sarah is convinced it is a murder but, once again, the police don't believe her.

The Two Roberts is a fictional reimagining of the lifelong love between working-class artists Robert MacBryde and Robert Colquhoun. They met as students at Glasgow School of Art in 1933. They fell in love almost immediately and rarely left each other’s side - meeting great success and bitter failure but always staying committed to art and each other. They were at the heart of a social set that included Lucian Freud, Francis Bacon and Elizabeth Smart - living an out Bohemian life, whatever the consequences.

Judy Goodman and Beverly Caldwell have different reasons for putting continents and oceans between themselves and their disparate pasts, but they have the same desire—to earn a coveted position on an elite team of stewardesses for Pan American Airlines. For Judy, running away from an oppressive marriage in small-town Pennsylvania is a risk she must take. And for Beverly, leaving behind the gilded cage of New York society will allow her to pursue a future of her own making.