Coming Soon

Why does the Twilight saga continue to inspire both passionate fandom and heated critique? In Why We Love (and Hate) Twilight, Sarah Elizabeth Gallagher unpacks the cultural obsession with Bella Swan, Edward Cullen, and the supernatural love story that redefined YA literature and pop culture forever.

At the turn of the twentieth century, sleep began to be seen not merely as a passive state but as an active, dynamic process crucial to our understanding of consciousness and identity. In Sleep Works, cultural historian and literary scholar Sebastian P. Klinger explores the intriguing connections between scientific inquiry and literary expression during an era when sleep was both a scientific mystery and a cultural fascination.

In the six lectures of The Great Gatsby at 100, you will join Sheila Liming of Champlain College to revisit the context and culture of the Roaring ‘20s, which inspired the story of the mysterious Jay Gatsby and his disastrous pursuit of Daisy Buchanan. As you’ll discover, while Gatsby is framed as a love story, it’s also a story of the American experience, revealing the unspoken rules of wealth and class and the false promises of self-made success in a world of Old Money privilege.

The roots of today's environmental catastrophe run deep into humanity's past. Through this unprecedented reading of Homer's Iliad, the award-winning classicist Edith Hall examines how this foundational text both documents the environmental practices of the ancient Greeks and betrays an awareness of the dangers posed by the destruction of the natural landscape. Underlying Homer's account of brutal military operations, alliances, and cataclysmic struggle is a palpable understanding that the direction in which humanity was headed could create a world that was uninhabitable.

In The Truth and Beauty, Andrew Klavan explored how the work of great poets helps illuminate the truth of the gospels. Now, the award-winning screenwriter and crime novelist turns his attention to the dark side of human nature to discover how we might find joy and beauty in the world while still being clear-eyed about the evil found in it. The Kingdom of Cain looks at three murders in history—including the first murder, Cain's killing of his brother, Abel—and at the art created from imaginative engagement with those horrific events by artists ranging from Fyodor Dostoevsky to Alfred Hitchcock.

In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world’s greatest legends. Following in their footsteps, digging into the history behind Homer’s epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women – queens, mothers, warriors, slaves – were, how they lived, and how history has (or has not – until now) remembered them.

Weaving together fragments of artists’ stories across time and place, Philip Hoare embarks on a Sebaldian exploration of the enduring legacy of William Blake. A poet, painter and printmaker who was unappreciated and considered mad in his own time, Blake was eventually lauded as a key pillar of the Romantic movement. His posthumous influence reverberates endlessly, from the films of Derek Jarman to our ongoing fear of technological advancement.

Most known for his creative fictions that tackle literary questions of authorship as well as more philosophical notions such as multiverse theory, Argentine author Jorge Luis Borges has captivated scholars from a variety of disciplines since his emergence on the international scene. However, much of the scholarship surrounding Borges does not focus on the reception of Borges's works in the fields of philosophy, the visual arts, film, political science, media theory, mathematics, and law, nor does it consider how his affiliations and interests changed over the course of his long life.

A sensational celebration of Annie Ernaux's work—Writing, the Other Life features collected writing by critics, journalists, and 24 previously unpublished pieces by the Nobel Prize winner herself—offering a full view of the author's life, writing style, reception by readers, and her thoughts and influence.

This superb book is borne of Marina Warner’s work with the project Stories in Transit, which organises storytelling workshops in the UK and in Palermo, bringing young migrant students together with artists, writers and musicians. What is sanctuary for those who have been displaced? Why do people flee different situations and conflicts worldwide, and what would a perfect version of sanctuary for those forced out of their homes look like? How can art, which has always recorded and reflected the worst experiences of humanity, also be a salve, an escape or a route to somewhere new.

The Oxford Handbook of George Orwell offers a wide-ranging reconsideration of Orwell's life and work, focusing on the extensive connections between his novels, essays, diaries, columns, letters, and reviews. Sections on Orwell's professional activities, his main literary influences, his politics, his intellectual fixations, his literary contemporaries, and his legacies structure the book, which moves thematically and topically through the full scope of his output.

Virginia Woolf: The Essays contains the most important and impactful of Woolf's non-fiction writing, including five essay collections and her most renowned essay: A Room of One's Own. Virginia Woolf (1882-1941) was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a member of the famous Bloomsbury Group.

Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator.

Acclaimed author Ella Risbridger takes romantic fiction seriously, as a fan and a thinker, in this original book, journeying through the genre's rich history and many fascinating iterations. From Jane Austen to Jilly Cooper, regency romance to cowboys, vampires and fanfic, romance reflects the concerns of the age and continues to evolve in new directions, while consistently offering its readers pleasure. It deserves our attention!

Anthony Trollope is among the best-loved novelists in the English language. This Very Short Introduction will place Trollope's work in the context of his life and times, drawing on recent scholarship to illuminate his central interests and literary strategies. The major series of novels (the six novels located in the fictional Barsetshire, and the six Palliser novels) are explored alongside the novels set in Ireland, his travel writing, and his less well-known fiction.

"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms.

Quintus Horatius Flaccus (65–8 BCE) wrote some of ancient Rome's greatest poetry, melding languages and cultures with youthful ideals and a realist's recognition of the dictatorial world around him. Horace is famed for his fine phrases, lyric sex, and guidance on how to live, but he was a poet maddened by war, and many of his most self-revealing poems have rarely been seen. He could be sublime and obscene, amusing and abusive, a model of moderation and anything but.

From the prize-winning and bestselling biographer of Shelley and Coleridge, and author of the landmark, critically acclaimed The Age of Wonder, this is a book about the new science and scepticism of the 19th century; about ideas of geology and deep time, the vast beauty and the terror looming before all those who saw deeper into the stars and studied the new cosmology.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC-Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans. The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing?

For the fan of good poetry interested in the diversity of American expression. The anthology provides an understanding of the history and contemporary vitality of the poetry and poetics of the non-normative body. Three sections—"Foremothers and Forefathers," "The Disability Poetics Movement," and "A Language of New Embodiment"—gather the poems and statements on poetics together in a meaningful whole.