
After the Fire
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Narrated by:
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Sean Barrett
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By:
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Henning Mankell
About this listen
Random House presents the unabridged downloadable audiobook edition of After the Fire by Henning Mankell.
Fredrik Welin is a 70-year-old retired doctor. Years ago he retreated to the Swedish archipelago where he lives alone on an island. He swims in the sea every day, cutting a hole in the ice if necessary. He lives a quiet life. Until he wakes up one night to find his house on fire.
Fredrik escapes just in time, wearing two left-footed wellies, as neighbouring islanders arrive to help douse the flames. All that remains in the morning is a stinking ruin and evidence of arson. The house that has been in his family for generations and all his worldly belongings are gone. He cannot think who would do such a thing or why. Without a suspect, the police begin to think he started the fire himself.
Tackling love, loss and loneliness, After the Fire is Henning Mankell's compelling last novel.
©2017 Henning Mankell (P)2017 Random House AudiobooksDifferent to what I expected
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A beautiful story
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But After The Fire just plods on with anecdotes.
I'd only recommend it if you're already into Henning Mankell.
Three Stars is Generous
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Great Narrator. Story a bit weak.
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Slower and more Morbid
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could not stop listening.
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Great final book of a great author
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Beautifully Poignant
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This is Mankell’s final book written just before his death two years ago in 2015 and now translated into English. Forget all his Wallanders and other crime novels, this is a stand-alone work of great poignancy and depth so beautifully read that you accept Sean Barrett as Mankell himself, as well as the retired doctor Welin whose story this is.
A description of the scenario sounds like 11 hours of unremittingly melancholy. 70 year-old Welin (retired after an operation he was carrying out went horribly wrong) lives alone on an isolated Swedish archipelago in the house which had belonged to his parents. After it is burned down by an arsonist, he loses everything; his ill-tempered, troubled daughter Louise, who grew up away from him, makes a visit which is both uncomfortable and irritating for him. Even his meal contains ‘fatigue and sorrow’, and the fish and the humans are disappearing from the island. It seems ‘an ocean of emptiness’ like the Japanese-style garden Louise would like to make on the island, and there is a great deal about loneliness and loss.
But it is all so gentle (and Sean Barrett’s voice is wonderful for this) and so insightful that it doesn’t seem merely melancholy. There is the low-key crime investigation (who is the arsonist setting fire to other houses?) which makes Welin muse on just how well we ever know others; there is a new life which could grow into the next century, and his deepening relationship with his daughter; his not entirely satisfactory but treasured friendship with the prickly journalist decades younger than himself; there’s his memories of the past which come back to him in waves and make Welin entirely real and human as he (and I think Mankell) reviews his life and awaits the end he knows must come. The novel ends as Welin’s house is being re-built, the fish have returned to the sea: the final note is one of uplift and redemption (which I can’t explain without spoiling the plot). This one will stay with you.
A beautiful elegiac farewell
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How self opinionated this man was but somehow forgivable but not wholly
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