Showing results by narrator "Sarah Durham" in All Categories

London, 1944. Clara Button is no ordinary librarian. While the world remains at war, in East London, Clara has created the country's only underground library, built over the railway tracks in the disused Bethnal Green tube station. Down here, a whole community thrives: with hundreds of bunk beds, a café and a theatre offering shelter from the bombs that fall above. Along with her glamorous best friend and assistant librarian, Ruby Munroe, Clara ensures the library is the beating heart of life underground.

I was the other woman. The mistress. Everyone blamed Doctor Drew Devlin’s death on me. And I’ve paid the price for loving the wrong man. Now, I have dark circles under my eyes because I can’t sleep at night. I lost everything–friends, family, my home and even my freedom. Drew’s devious wife Fern tore my whole world apart. And she thinks she’s got away with murder.

Moments before she dies, Nicola's grandmother Betty whispers to her that there are babies at the bottom of the garden. Nicola's mother claims she was talking nonsense. However, when Nicola's daughter finds a bone while playing in Betty's garden, it's clear that something sinister has taken place.

"There’s someone I want you to meet," Belle says, as a man draws up to her side. He’s tall with dark hair and stubble on his square jaw. He’s not exactly smiling, but the corner of his mouth curls upwards as he slides his hand around my daughter’s waist.

The invitation is anonymous. It doesn’t say whose funeral I must attend, only that I can’t afford to miss it. I’m sure it’s a mistake, but when I arrive, I know immediately it isn’t. The name on the gravestone stops me in my tracks: Alice Anderson. That’s my name. Or at least it was. I want to run from this crowd of slick designer clothes and sunglasses hiding prying eyes. But I can’t show my fear. I have no choice other than to stay and find out who sent the invitation. Someone here knows the secret I’d kill to keep.

Her daughter died. Did she take mine? A year ago, my best friend Rachel’s daughter died. Ever since then I have held my own beautiful little girl tighter. I watch Luna shriek with laughter as she tips her toys all over the floor and I look anxiously at Rachel, sipping her tea. But Rachel reassures me that being near Luna helps fill the gaping hole of her grief, just a little. So when Luna is snatched from her bed in the middle of the night, it is Rachel who holds me tightly. She looks at the blue and white police tape crisscrossing my little girl’s bedroom and promises me they will find Luna.

The students of Royal Hastings University's new Multimedia Art course have been trouble from day one. The year-long course is blighted by accusations of theft, students setting fire to one another's artwork, a rumoured extra-marital affair and a disastrous road trip. ut finally they are given their last assignment: to build an interactive art installation for a local manufacturer. With six students who have nothing in common except their clashing personal agendas, what could possibly go wrong? The answer is: murder.

Your daughter isn't answering your calls. She's not replying to your messages. You rush to her house. She's slumped in the basement, dying and alone. You desperately call for help. She whispers a single word. Someone is keeping secrets. And it must be someone you know.

This is not a taste, nor an anti-taste, manual. This is an interrogation of the importance we place on seemingly objective ideas of taste in a culture that is saturated by imagery, and the dangerous impact this has on our identities, communities and politics. This book is dedicated to understanding the industries of taste. From the food we eat to the way we spend our free time, Olah exposes the shallow waters of 'good' and 'bad' taste and the rigid hierarchies that uphold this age-old dichotomy.

I loved my husband, Doctor Drew Devlin, but he betrayed me. And now he’s dead. As I put the key in the lock and open the door to the luxurious new home I’ve purchased with Drew’s life insurance money, I’m certain the worst days are behind me. My secret is safe, and I can’t wait to enjoy my new wealth and freedom.

1864: Suddenly left as the head of the family, Kitty McKenzie must find her inner strength to keep her family together against the odds. Evicted from their resplendent home in the fashionable part of York after her parents' deaths, Kitty must fight the legacy of bankruptcy and homelessness to secure a home for her and her siblings. Through sheer willpower and determination, she grabs opportunities with both hands, from working on a clothes and rag stall in the market to creating a tea shop for the wealthy.

1914, Australia: As war is declared, the idyllic world of Blue Water Station is torn apart when Oliver, the eldest grandson and heir, shares his desire to enlist in the army. His enthusiasm ignites his brother, cousins and friends to do the same but upsets his sister, Tilly. After a tragic family incident, she is left to run the cattle station and take care of the older folk. A chance meeting with a sophisticated lieutenant opens up a friendship through letters, but it’s a rogue stockman who attracts her attention - with dire consequences....

Philippa Taylor (Pepper to her friends) has big dreams. When she closes her eyes, she can picture exactly who she ought to be. The problem is, it's about as far away from her real life in a small coastal town in Suffolk as she can imagine. So when her elderly friend Josephine persuades Pepper to accompany her on a trip to Europe, she jumps at the chance to change her routine. And when Pepper bumps (literally) into the handsome Finn in Lisbon, it seems as though she might have finally found what she's been looking for.

My husband is a doctor. He’s smart and charming, and everybody trusts him. Except me. On the surface, it looks like I have it all–the perfect marriage, the perfect husband, the perfect life. But it’s far from the truth. Doctor Drew Devlin is not the respectable figure he makes out to be. The reason we moved to this beautiful, old property with a gorgeous view of the sea was because we needed to put our past behind us. It should’ve been a fresh start for us both.

Sylvie and Donna travel on the same train to work each day but have never spoken. Their families are on different sides of the bitter Brexit divide, although the tensions and arguments at home give them much in common. What they don't know is that their eldest children, Rachid and Jodie, are about to meet for the first time and fall in love. Aware that neither family will approve, the teenagers vow to keep their romance a secret. But as Sylvie's family feel increasingly unwelcome in England, a desire for a better life threatens Rachid and Jodie's relationship.

Alison is a marriage mender. Her job is to help couples who fear they have reached the end of the road. So when her husband's ex, Lydia, arrives on the doorstep demanding to see her son, Alison thinks she can handle it. But what Alison doesn't realise is that Lydia is the one person who has the ability to destroy their happy family. And sometimes the cracks run too deep to ever be repaired.

I’m Lucy. Out-of-work actress, part-time princess impersonator, Dorito enthusiast. Oh, and I’ve lost my memory. I got knocked off a bicycle on my way to a children’s party, dressed as Elsa, and accidentally flashed my thong. Now, in my head, it’s 2009 and I’m 17 years old. Not nearly 30 and starting to wrinkle. By this stage of my life, I thought I’d be married, with kids and a mortgage. Instead, I’ve got a phone full of dick pics. As I make my way through my contacts list - and try to jog my memory - I can’t help asking: Am I allergic to love? Commitment? Men?

Your son has gone missing. And then the police arrest the prime suspect. You. You know you're innocent. That someone else took your son. But the truth is never simple. Especially if you're forced to say nothing...

Friends for over 30 years, Kerry and Pat’s worlds came crashing down when their teenage sons were both diagnosed with life-threatening illnesses within weeks of each other.

Frances Howard has beauty and a powerful family - and is the most unhappy creature in the world. Anne Turner has wit and talent - but no stage on which to display them. Little stands between her and the abyss of destitution. When these two very different women meet in the strangest of circumstances, a powerful friendship is sparked.